Dialogues with Convention: Readings in Renaissance PoetryUniversity of Michigan Press, 1989 - 204 páginas Examines the poetic genres and poetic conventions of English Renaissance poetry. |
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Página 3
... course of writing ' . And he adds : ' how well or ill I have done in it , I am ignorant ' ( ' Dedication ' ) . Nashe is ignorant partly because he does not know what ' kind ' he is supposed to be writing in anyway . It is perhaps ...
... course of writing ' . And he adds : ' how well or ill I have done in it , I am ignorant ' ( ' Dedication ' ) . Nashe is ignorant partly because he does not know what ' kind ' he is supposed to be writing in anyway . It is perhaps ...
Página 25
... course ourselves , the poems ' future readers throughout history ) . Like texts for performance , the poems are circulated in manuscript , both springing from and in- habiting the world of their audience , and dependent for their full ...
... course ourselves , the poems ' future readers throughout history ) . Like texts for performance , the poems are circulated in manuscript , both springing from and in- habiting the world of their audience , and dependent for their full ...
Página 143
... course , and many a League Cheard with the grateful smell old Ocean smiles . ( IV , 159–65 ) The interest of this total ' articulated ' simile lies not only in the immediate situation in the fable , but in its accumulative reson- ance ...
... course , and many a League Cheard with the grateful smell old Ocean smiles . ( IV , 159–65 ) The interest of this total ' articulated ' simile lies not only in the immediate situation in the fable , but in its accumulative reson- ance ...
Contenido
Sidney and the idea of the sonnet | 23 |
CONVENTIONS OF IMITATION | 59 |
CONVENTIONS OF DEVOTION I | 81 |
Derechos de autor | |
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Dialogues with Convention: Readings in Renaissance Poetry Ronald David Bedford Vista de fragmentos - 1989 |
Dialogues with Convention: Readings in Renaissance Poetry Ronald David Bedford Vista de fragmentos - 1989 |
Términos y frases comunes
action activity actually Adam and Eve Adam's allegorical appears argue artist asserts Astrophil and Stella Book Christian Christopher Ricks Comus conceit conventions course critical cross Defence divine Donne's dramatic earth elegy English epic epic simile eternity Eve's Faerie Queene Fall fiction field figures foreknowledge genres God's Haemony heart Heaven Helen Gardner Holy Sonnet human imaginative imitation implied John Donne John Milton Lady landscape lines literary logical London lover masque meaning merely metaphor mind moral narrative nature offers Ovid Ovid's Ovidian Oxford Paradise Lost paradox pastoral Penelope Devereux Penseroso perhaps Petrarchan Platonic poem poet poet's poetic poetry possible question reader Renaissance response rhetorical Satan seems sense sequence Sidney Sidney's simile Sonnet 20 Sonnet 45 sort spelling Spenser story suggest thee things thir thou thought tion University Press verbal verses William Empson words writing