Dialogues with Convention: Readings in Renaissance PoetryUniversity of Michigan Press, 1989 - 204 páginas Examines the poetic genres and poetic conventions of English Renaissance poetry. |
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... kind , it being a clean different vein from other my former course of writing ' . And he adds : ' how well or ill I have done in it , I am ignorant ' ( ' Dedication ' ) . Nashe is ignorant partly because he does not know what ' kind ...
... kind , it being a clean different vein from other my former course of writing ' . And he adds : ' how well or ill I have done in it , I am ignorant ' ( ' Dedication ' ) . Nashe is ignorant partly because he does not know what ' kind ...
Página 25
... kind of answer to the questions why they wrote their sonnets and whom they were addressing . Focus upon this dimension of the poetry produced will em- phasise the role of the reader : ' each reader brings his or her preconceptions ...
... kind of answer to the questions why they wrote their sonnets and whom they were addressing . Focus upon this dimension of the poetry produced will em- phasise the role of the reader : ' each reader brings his or her preconceptions ...
Página 26
... kind ' , in which sort of verse the poet was expected to speak in propria persona . But we are often reminded that we should not take that too literally , no more than we should take Ovid's Corinna or Petrarch's Laura too literally ...
... kind ' , in which sort of verse the poet was expected to speak in propria persona . But we are often reminded that we should not take that too literally , no more than we should take Ovid's Corinna or Petrarch's Laura too literally ...
Contenido
Sidney and the idea of the sonnet | 23 |
CONVENTIONS OF IMITATION | 59 |
CONVENTIONS OF DEVOTION I | 81 |
Derechos de autor | |
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Dialogues with Convention: Readings in Renaissance Poetry Ronald David Bedford Vista de fragmentos - 1989 |
Dialogues with Convention: Readings in Renaissance Poetry Ronald David Bedford Vista de fragmentos - 1989 |
Términos y frases comunes
action activity actually Adam appears argue argument artist asserts Astrophil Book Christian clear conventions course critical cross Defence dependent Donne Donne's earth effect elegy English epic equally example experience fact Fall feel fiction field figures final follows force genres give God's going hand heart Heaven human imaginative imitation implied instance issue John kind knowledge landscape lines literary living logical London look meaning merely Milton mind moral nature never offers once opening Ovid Oxford Paradise Lost paradox pastoral perhaps play poem poet poetic poetry possible present question reader relation Renaissance response rhetorical Satan seems sense shows Sidney Sidney's simile sonnet sort spelling stand Stella story Studies suggest thee things thou thought tion true turn University Press verses whole writing