Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
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Página 227
... Aeschylus was not recog- nised for the very great literature it is till the Romantic epoch . But the generations of Ossian and of the French Revolution could hardly fail to notice the romantic setting of the play in the mountains of the ...
... Aeschylus was not recog- nised for the very great literature it is till the Romantic epoch . But the generations of Ossian and of the French Revolution could hardly fail to notice the romantic setting of the play in the mountains of the ...
Página 229
... Aeschylus clearly states that the episode of Io is the matter of chief importance . The way to find out what the play most concerns is to follow Aeschylus's lead instead of saying despairingly , as was the general habit , that the ...
... Aeschylus clearly states that the episode of Io is the matter of chief importance . The way to find out what the play most concerns is to follow Aeschylus's lead instead of saying despairingly , as was the general habit , that the ...
Página 230
... Aeschylus's sense of the great human paradox : the contrast of mankind conscious , provident , resourceful , and mankind hopelessly swayed by its own blind instincts . Far from Io's entry being casual , the Chorus immediately before it ...
... Aeschylus's sense of the great human paradox : the contrast of mankind conscious , provident , resourceful , and mankind hopelessly swayed by its own blind instincts . Far from Io's entry being casual , the Chorus immediately before it ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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Términos y frases comunes
accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing