Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
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Página 182
Eustace Mandeville Wetenhall Tillyard. CHAPTER IV ALLUSION By allusion I mean a reference , conscious or uncon- scious , to a passage in literature . Allusion , like symbolism , is a minor obliquity . Its main function . is to thicken ...
Eustace Mandeville Wetenhall Tillyard. CHAPTER IV ALLUSION By allusion I mean a reference , conscious or uncon- scious , to a passage in literature . Allusion , like symbolism , is a minor obliquity . Its main function . is to thicken ...
Página 186
... allusion Euripides obliquely conveys the information that he is deliberately treat- ing the legends in a different way from Aeschylus . When once a tradition has been powerfully estab- lished , allusion takes on a wide general function ...
... allusion Euripides obliquely conveys the information that he is deliberately treat- ing the legends in a different way from Aeschylus . When once a tradition has been powerfully estab- lished , allusion takes on a wide general function ...
Página 190
... allusion ; for allusional obscurity can bear one very definite though not very desirable meaning . If in the great epic mode the allusion to familiar passages can mean I acknowledge and accept the tradition , ' in what can be called the ...
... allusion ; for allusional obscurity can bear one very definite though not very desirable meaning . If in the great epic mode the allusion to familiar passages can mean I acknowledge and accept the tradition , ' in what can be called the ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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Términos y frases comunes
accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing