Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
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Página 15
... become intelligible . First , perhaps , one sees that this mighty company dominating each side of the nave has an appropriate function in terrorising the worshipper into submission . The noble army of martyrs ( and the members of an ...
... become intelligible . First , perhaps , one sees that this mighty company dominating each side of the nave has an appropriate function in terrorising the worshipper into submission . The noble army of martyrs ( and the members of an ...
Página 35
... becomes important only as the other poetical features become excellent : when they reach high excellence Plot becomes the most important feature of all . Similarly a unifying commonplace is trivial if the things it unites are mediocre ...
... becomes important only as the other poetical features become excellent : when they reach high excellence Plot becomes the most important feature of all . Similarly a unifying commonplace is trivial if the things it unites are mediocre ...
Página 76
... becomes complicated . The fashion came in to be florid ; but the florid is not necessarily the oblique ; and so we get a large amount of what can be called embroidered statement . Further , immediately state- ment is embroidered , it ...
... becomes complicated . The fashion came in to be florid ; but the florid is not necessarily the oblique ; and so we get a large amount of what can be called embroidered statement . Further , immediately state- ment is embroidered , it ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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Términos y frases comunes
accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing