Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
Dentro del libro
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Página vii
... Chapter I Preliminary 67 II Historical ( 1 ) : Medieval and Elizabethan III Historical ( 2 ) : Dryden IV Historical ( 3 ) Since Dryden 71 81 92 V ... Chapter I Preliminary 137 Chapter II Rhythm 151 III Symbolism 167 IV Allusion 182 vii.
... Chapter I Preliminary 67 II Historical ( 1 ) : Medieval and Elizabethan III Historical ( 2 ) : Dryden IV Historical ( 3 ) Since Dryden 71 81 92 V ... Chapter I Preliminary 137 Chapter II Rhythm 151 III Symbolism 167 IV Allusion 182 vii.
Página viii
... Mythology and Rhetoric 248 VIII Geography 258 Part Four EPILOGUE Chapter I The Contemporary Moral 265 II The Good of It All 278 INDEX 282 PART I INTRODUCTORY CHAPTER I PRELIMINARY JOHNSON in attacking Lycidas viii POETRY : DIRECT AND ...
... Mythology and Rhetoric 248 VIII Geography 258 Part Four EPILOGUE Chapter I The Contemporary Moral 265 II The Good of It All 278 INDEX 282 PART I INTRODUCTORY CHAPTER I PRELIMINARY JOHNSON in attacking Lycidas viii POETRY : DIRECT AND ...
Página 257
... chapter . CHAPTER VIII GEOGRAPHY In my last chapter I treated mythology R 257 MYTHOLOGY AND RHETORIC.
... chapter . CHAPTER VIII GEOGRAPHY In my last chapter I treated mythology R 257 MYTHOLOGY AND RHETORIC.
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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Términos y frases comunes
accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing