Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
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Página 33
... common- place can be illustrated from the interpretation given to The Echoing Green . In Blake's day the common- place that there is virtue in desire gratified had been moribund since the seventeenth century . It had been overlaid by ...
... common- place can be illustrated from the interpretation given to The Echoing Green . In Blake's day the common- place that there is virtue in desire gratified had been moribund since the seventeenth century . It had been overlaid by ...
Página 72
... common store . Men never spoke then of for- tune , whether gain or loss was in question , till avarice brought in the custom . And that was when the world had grown in men , horses , sheep , and oxen , and when men got to know of money ...
... common store . Men never spoke then of for- tune , whether gain or loss was in question , till avarice brought in the custom . And that was when the world had grown in men , horses , sheep , and oxen , and when men got to know of money ...
Página 82
... common to them both . And even MacFlecknoe has more in common with Milton than it has with The Dunciad . To say that Milton lacked wit is true in that he suppressed its more exuberant and self - advertising manifesta- tions , but the ...
... common to them both . And even MacFlecknoe has more in common with Milton than it has with The Dunciad . To say that Milton lacked wit is true in that he suppressed its more exuberant and self - advertising manifesta- tions , but the ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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Términos y frases comunes
accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing