Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
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Página 55
... comparison or substitution which exists in all three figures . For how long does the comparison last ? To indicate the degrees of permanence , I do not know of any quite suitable adjectives ( transient , temporary , and permanent might ...
... comparison or substitution which exists in all three figures . For how long does the comparison last ? To indicate the degrees of permanence , I do not know of any quite suitable adjectives ( transient , temporary , and permanent might ...
Página 58
... comparison between old age and an old oak earnestly and long enough he might have approached the frontier . But he does not . He treats the comparison as a convenience rather than as self - valuable : it is pure means with no admixture ...
... comparison between old age and an old oak earnestly and long enough he might have approached the frontier . But he does not . He treats the comparison as a convenience rather than as self - valuable : it is pure means with no admixture ...
Página 59
... comparison is : ' I com- pare this nameless or too - botanically named tree to an erection especially contrived to thwart the climbing activities of monkeys . ' But , as it hap- pened , the comparison was too apt not to stick ; it did ...
... comparison is : ' I com- pare this nameless or too - botanically named tree to an erection especially contrived to thwart the climbing activities of monkeys . ' But , as it hap- pened , the comparison was too apt not to stick ; it did ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing