Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
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Página 37
... express a religious abstraction , the kind of obliquity I am after is by no means confined to religious poetry . In fact we shall find in English religious poetry very little of it at all . For there is quite as much state- ment in ...
... express a religious abstraction , the kind of obliquity I am after is by no means confined to religious poetry . In fact we shall find in English religious poetry very little of it at all . For there is quite as much state- ment in ...
Página 39
... express- ing a divine order , to actual poems ? I cannot recall any attempt to explain how Paradise Lost , for instance , does this , or how it differs from The Divine Comedy , which must presumably exemplify another approximation to a ...
... express- ing a divine order , to actual poems ? I cannot recall any attempt to explain how Paradise Lost , for instance , does this , or how it differs from The Divine Comedy , which must presumably exemplify another approximation to a ...
Página 144
... express the personal impulse that drives a man to do a thing . When Homer tells how Zeus stirred up the Trojans to fight , it is his oblique way of saying that the Trojans stirred themselves up to fight . This does not mean either that ...
... express the personal impulse that drives a man to do a thing . When Homer tells how Zeus stirred up the Trojans to fight , it is his oblique way of saying that the Trojans stirred themselves up to fight . This does not mean either that ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing