Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
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Página 64
... hand , comes in much earlier , as I include it in Statement ; and what I have said about it will have a better chance of being remembered . On the whole it is less obnoxious that the distance between introductory and main items should ...
... hand , comes in much earlier , as I include it in Statement ; and what I have said about it will have a better chance of being remembered . On the whole it is less obnoxious that the distance between introductory and main items should ...
Página 74
... hand . I cannot detect one trace of obliquity in the formal qualities of the piece ; they are solely and entirely designed to reinforce the sentiment . The passage is constructed on the simple but effective rhetorical design of ...
... hand . I cannot detect one trace of obliquity in the formal qualities of the piece ; they are solely and entirely designed to reinforce the sentiment . The passage is constructed on the simple but effective rhetorical design of ...
Página 115
... hand , Flying , but no wings , only the great scarf Blown off to a bluish rainbow at your back : Call off your hound and leave the stag alone . ' For all that there may be something deeper stirring in the last lines describing the ...
... hand , Flying , but no wings , only the great scarf Blown off to a bluish rainbow at your back : Call off your hound and leave the stag alone . ' For all that there may be something deeper stirring in the last lines describing the ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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Términos y frases comunes
accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing