Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
Dentro del libro
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Página 35
... importance of the commonplace there is an analogy with what I shall say later about Plot . Plot becomes important only as the other poetical features become excellent : when they reach high excellence Plot becomes the most important ...
... importance of the commonplace there is an analogy with what I shall say later about Plot . Plot becomes important only as the other poetical features become excellent : when they reach high excellence Plot becomes the most important ...
Página 140
... important obliquity that upsets this preponderance . So far , no more than a personal passion and a personal sophistication has been detected . Yet the poem is animated by a general idea . Let us live , my Lesbia , and let us love ...
... important obliquity that upsets this preponderance . So far , no more than a personal passion and a personal sophistication has been detected . Yet the poem is animated by a general idea . Let us live , my Lesbia , and let us love ...
Página 234
... important oblique meaning in addition . By attributing this general deficiency to nineteenth century criticism I do not mean to say it was worse than any other . The eighteenth century had its deficiencies too , and they were just as ...
... important oblique meaning in addition . By attributing this general deficiency to nineteenth century criticism I do not mean to say it was worse than any other . The eighteenth century had its deficiencies too , and they were just as ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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Términos y frases comunes
accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing