Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
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Página 23
... interest in themselves , and which are to be communicated in an interesting manner by the art of the Poet . . . . And what actions are the most excellent ? Those , certainly , which most power- fully appeal to the great primary human ...
... interest in themselves , and which are to be communicated in an interesting manner by the art of the Poet . . . . And what actions are the most excellent ? Those , certainly , which most power- fully appeal to the great primary human ...
Página 113
... interest that gives vitality to a most uneven poem . Further , at her best , Mrs. Browning expresses that interest in fittingly unaffected language . Here is the descrip- tion of Aurora beginning to regain her interest in life after the ...
... interest that gives vitality to a most uneven poem . Further , at her best , Mrs. Browning expresses that interest in fittingly unaffected language . Here is the descrip- tion of Aurora beginning to regain her interest in life after the ...
Página 130
... interest to the poet as part of an argument in which he takes just enough interest to enable him to endure the labour of com- posing a dozen sluggish lines . It is vain to multiply examples from the seventeenth century : they abound in ...
... interest to the poet as part of an argument in which he takes just enough interest to enable him to endure the labour of com- posing a dozen sluggish lines . It is vain to multiply examples from the seventeenth century : they abound in ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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Términos y frases comunes
accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing