Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
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Página 5
... kind of criticism of which there is too little and whose possibilities are large . The main object of this book is to exploit this kind of criticism through a series of practical demonstrations . There are many inci- dental ...
... kind of criticism of which there is too little and whose possibilities are large . The main object of this book is to exploit this kind of criticism through a series of practical demonstrations . There are many inci- dental ...
Página 37
... kind of obliquity I am after is by no means confined to religious poetry . In fact we shall find in English religious poetry very little of it at all . For there is quite as much state- ment in religious as in any other kind of poetry ...
... kind of obliquity I am after is by no means confined to religious poetry . In fact we shall find in English religious poetry very little of it at all . For there is quite as much state- ment in religious as in any other kind of poetry ...
Página 67
... kind ; and I believe it to have a reaction on that kind we should be rash to underestimate . On a proper balance between the two the poetic health of a given epoch partly depends . Such a balance , which may not have existed since the ...
... kind ; and I believe it to have a reaction on that kind we should be rash to underestimate . On a proper balance between the two the poetic health of a given epoch partly depends . Such a balance , which may not have existed since the ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing