Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
Dentro del libro
Resultados 1-3 de 62
Página 75
... line avarice upsets the balance with a crash . The quick enumeration in line 10 makes you multiply the beasts ; there are lots of them all at once . In lines 13 and 17 werre and swerd sound with cruel emphasis . There is a horrified ...
... line avarice upsets the balance with a crash . The quick enumeration in line 10 makes you multiply the beasts ; there are lots of them all at once . In lines 13 and 17 werre and swerd sound with cruel emphasis . There is a horrified ...
Página 167
... lines of Burns which it hardly seems necessary to call anything more than normally poetical : There are no lines with more melancholy beauty than these by Burns- The white moon is setting behind the white wave , And Time is setting with ...
... lines of Burns which it hardly seems necessary to call anything more than normally poetical : There are no lines with more melancholy beauty than these by Burns- The white moon is setting behind the white wave , And Time is setting with ...
Página 217
... lines was going to be one of my best stories , blame your own foolish and prudish self , not me for having thrown dust in your eyes . ' However , though Chaucer lets us know that he takes The Miller's Tale seriously , of what the ...
... lines was going to be one of my best stories , blame your own foolish and prudish self , not me for having thrown dust in your eyes . ' However , though Chaucer lets us know that he takes The Miller's Tale seriously , of what the ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
Otras 7 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing