Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
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Página 248
Eustace Mandeville Wetenhall Tillyard. " CHAPTER VII MYTHOLOGY AND RHETORIC A NOTE on mythology succeeds naturally enough my chapters on Plot and Character , because the Renaissance emphasis on character helped to de- stroy a living ...
Eustace Mandeville Wetenhall Tillyard. " CHAPTER VII MYTHOLOGY AND RHETORIC A NOTE on mythology succeeds naturally enough my chapters on Plot and Character , because the Renaissance emphasis on character helped to de- stroy a living ...
Página 251
... mythology was part of the move- ment that was fundamentally hostile to anything so impersonal as a mythology . By inflating the im- portance of the great individual , the Renaissance came to create a class apart , a class more ...
... mythology was part of the move- ment that was fundamentally hostile to anything so impersonal as a mythology . By inflating the im- portance of the great individual , the Renaissance came to create a class apart , a class more ...
Página 257
... mythology not a rhetoric they needed to answer their wide and urgent needs . And though I have lamented that the tradition of eighteenth century rhetoric was no longer used for the poetry of ... mythology R 257 MYTHOLOGY AND RHETORIC.
... mythology not a rhetoric they needed to answer their wide and urgent needs . And though I have lamented that the tradition of eighteenth century rhetoric was no longer used for the poetry of ... mythology R 257 MYTHOLOGY AND RHETORIC.
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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Términos y frases comunes
accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing