Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
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Página 163
... pure fancy and connected him with Crashaw : two unfortunate theories . As pure fancy , the poem is wearisome and partly irrelevant . The emphasis on Crashaw ( repeated by that poet's latest editor ) stresses exactly those qualities that ...
... pure fancy and connected him with Crashaw : two unfortunate theories . As pure fancy , the poem is wearisome and partly irrelevant . The emphasis on Crashaw ( repeated by that poet's latest editor ) stresses exactly those qualities that ...
Página 206
... pure anthracite , and gives a clearer glow than more prodigal blazes of ' cobbles ' or ' nuts . ' Sir Arthur Quiller - Couch , in his lecture on The Horatian Model in English Verse , suggests the pleas- ing picture of both Milton and ...
... pure anthracite , and gives a clearer glow than more prodigal blazes of ' cobbles ' or ' nuts . ' Sir Arthur Quiller - Couch , in his lecture on The Horatian Model in English Verse , suggests the pleas- ing picture of both Milton and ...
Página 224
... pure sensation and D. H. Lawrence towards his birds , beasts , and flowers . Supplemented by the sensibility , vouched for , as it were , by it , the plot of The Miller's Tale acquires an abstract significance analogous to that of good ...
... pure sensation and D. H. Lawrence towards his birds , beasts , and flowers . Supplemented by the sensibility , vouched for , as it were , by it , the plot of The Miller's Tale acquires an abstract significance analogous to that of good ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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Términos y frases comunes
accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing