Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
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Página 17
... question could be answered only by discuss- ing the contents of the human mind . But practically the critic does not find himself tied by any such necessity . His answer will be limited by his own capacities ; he can talk only of those ...
... question could be answered only by discuss- ing the contents of the human mind . But practically the critic does not find himself tied by any such necessity . His answer will be limited by his own capacities ; he can talk only of those ...
Página 25
... question of what the obliquity is . It will be convenient here to recall my remarks on Blake's Echoing Green . Brief as that poem is , it exemplifies the sort of obliquity that often lies behind those passions which bulk so large in the ...
... question of what the obliquity is . It will be convenient here to recall my remarks on Blake's Echoing Green . Brief as that poem is , it exemplifies the sort of obliquity that often lies behind those passions which bulk so large in the ...
Página 30
... question , it is not enough to work out the allegory : the question remains , does the allegorised statement lead to any larger obliquity ? Similarly it is wrong to attribute the main virtue of The Fairy Queen to pageantry and music ...
... question , it is not enough to work out the allegory : the question remains , does the allegorised statement lead to any larger obliquity ? Similarly it is wrong to attribute the main virtue of The Fairy Queen to pageantry and music ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing