Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
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Página 216
... reader that the Miller would tell his tale and that he can take no responsibility for it : What sholde I more seyn , but this Millere He nolde his wordes for no man forbere , But tolde his cherles tale in his manere ; Me thinketh that I ...
... reader that the Miller would tell his tale and that he can take no responsibility for it : What sholde I more seyn , but this Millere He nolde his wordes for no man forbere , But tolde his cherles tale in his manere ; Me thinketh that I ...
Página 217
... reader turn the page and he will find virtuous matter enough ; and don't let him blame me if he chooses amiss . ' So simple , and yet so deep . On the surface it means no more than that if the virtuous reader chooses amiss ( that is ...
... reader turn the page and he will find virtuous matter enough ; and don't let him blame me if he chooses amiss . ' So simple , and yet so deep . On the surface it means no more than that if the virtuous reader chooses amiss ( that is ...
Página 280
... readers . What about the rest ? Is it not better for the common reader to have obliquity laboriously translated that he may grasp it than to miss it altogether ? For the practice of criticism in the past has made it terribly clear how ...
... readers . What about the rest ? Is it not better for the common reader to have obliquity laboriously translated that he may grasp it than to miss it altogether ? For the practice of criticism in the past has made it terribly clear how ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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Términos y frases comunes
accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing