Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
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Página 133
... reference and circumlocutions are too laboured for it to fall into the class of embroidered statement . It aims higher and it fails . The metaphors are mere translations of statement , bringing up the mind short with a jerk . The ...
... reference and circumlocutions are too laboured for it to fall into the class of embroidered statement . It aims higher and it fails . The metaphors are mere translations of statement , bringing up the mind short with a jerk . The ...
Página 182
... reference to a literary context , and that context , if known to the reader , cannot but supply an additional significance . In considering allusion we need to use a con- siderable amount of tact . Not only should we distinguish between ...
... reference to a literary context , and that context , if known to the reader , cannot but supply an additional significance . In considering allusion we need to use a con- siderable amount of tact . Not only should we distinguish between ...
Página 194
... reference to Chaucer at once releases a charge of feelings which by their contrast are entirely appropriate to what Eliot has to say . Nor is there any lack of tact : not the slightest sense of competing with Chaucer . The reference is ...
... reference to Chaucer at once releases a charge of feelings which by their contrast are entirely appropriate to what Eliot has to say . Nor is there any lack of tact : not the slightest sense of competing with Chaucer . The reference is ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing