Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
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Página 8
... simple statement as Goldsmith's epoch allowed to anyone but a rebel ; and when he is not simple , it is for con- vention's sake and not with any view to obliquity . Thus by humble happiness ' he probably means ' humble , happy people ...
... simple statement as Goldsmith's epoch allowed to anyone but a rebel ; and when he is not simple , it is for con- vention's sake and not with any view to obliquity . Thus by humble happiness ' he probably means ' humble , happy people ...
Página 30
... simple substitution designed to stimulate the reader by making him take a little or a great deal of trouble to get at the statement . But when a manifestly important poem is in question , it is not enough to work out the allegory : the ...
... simple substitution designed to stimulate the reader by making him take a little or a great deal of trouble to get at the statement . But when a manifestly important poem is in question , it is not enough to work out the allegory : the ...
Página 102
... simple passions or to cloak direct moralising in allegory are disastrous . I mean no more than that a living poetry of state- ment would have helped him in his own proper job . With Browning the case is quite different . He did write a ...
... simple passions or to cloak direct moralising in allegory are disastrous . I mean no more than that a living poetry of state- ment would have helped him in his own proper job . With Browning the case is quite different . He did write a ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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Términos y frases comunes
accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing