Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
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Página 68
... sound work is its own reward . These are sentiments that we can assimi- late in our less intense moods , when we are unfit for the highest kinds of poetry ; and the verse that conveys them is not on that account to be despised . It may ...
... sound work is its own reward . These are sentiments that we can assimi- late in our less intense moods , when we are unfit for the highest kinds of poetry ; and the verse that conveys them is not on that account to be despised . It may ...
Página 118
... sound of the verse is made to back up the sound implied by the intellectual con- tent of the words . In The Trumpets loud Clangor Excites us to Arms With shrill Notes of Anger And mortal Alarms . The double double double beat Of the ...
... sound of the verse is made to back up the sound implied by the intellectual con- tent of the words . In The Trumpets loud Clangor Excites us to Arms With shrill Notes of Anger And mortal Alarms . The double double double beat Of the ...
Página 151
... sound of the words commands . Of course the range of effect com- manded by pure sound apart from sense was greatly exaggerated in the late nineteenth century ; but it is likely that some moderns have gone too far in the other direction ...
... sound of the words commands . Of course the range of effect com- manded by pure sound apart from sense was greatly exaggerated in the late nineteenth century ; but it is likely that some moderns have gone too far in the other direction ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing