Poetry Direct and ObliqueChatto & Windus, 1934 - 286 páginas |
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Página 87
... speak grandly . From the play's construction issues the sense of a large single - minded nature that be- lieves in the order on which civilisation is founded . The purity of diction , the quintessence sometimes of cultured conversation ...
... speak grandly . From the play's construction issues the sense of a large single - minded nature that be- lieves in the order on which civilisation is founded . The purity of diction , the quintessence sometimes of cultured conversation ...
Página 138
... speak of the passage in this way ; and conceivably there may be no other way of speaking of it . Possibly some- thing might be done to explain the sensibility behind the passage - if it were thought that pure sensi- bility is what it ...
... speak of the passage in this way ; and conceivably there may be no other way of speaking of it . Possibly some- thing might be done to explain the sensibility behind the passage - if it were thought that pure sensi- bility is what it ...
Página 178
... speak of a painter ' seeing the real landscape ' and transferring it to canvas , or of ' getting the essence of a tree or a sunset . The tree must not be allowed to remain a piece of a pattern ; it must have a Platonic soul at which ...
... speak of a painter ' seeing the real landscape ' and transferring it to canvas , or of ' getting the essence of a tree or a sunset . The tree must not be allowed to remain a piece of a pattern ; it must have a Platonic soul at which ...
Contenido
Preliminary | 3 |
Preliminary | 67 |
Disguised Statement | 129 |
Derechos de autor | |
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Términos y frases comunes
accepted actual Aeschylus allegory allusion appearance become beginning better Blake century chapter character Chaucer common commonplace comparison contrast create criticism deal describing direct Dryden effect eighteenth century English entirely example exist experience express fact feel follow function give granted hand human idea imagination important instance interest kind least less lines literature living look matter meaning melancholy ment Milton mind mythology nature never nineteenth century obliquity once passage passions perfect permanent play plot poem poet poetical poetry of statement possible Prometheus pure qualities question reader reason reference rhetoric rhythm sense sensibility Shelley significance simple social song soul sound speak standards suggest symbolism things thought tion to-day tradition true turn verse virtue whole writing