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Enter ANTONIO, SALARINO, and SALANIO.
Ant. In sooth, I know not why I am so sad:
It wearies me; you say it wearies you;
But how I caught it, found it, or came by it,
What stuff 'tis made of, whereof it is born,
I am to learn;

And such a want-wit sadness makes of me,
That I have much ado to know myself.

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Salar Your mind is tossing on the ocean; There, where your argosies with portly sail, Like signiors and rich burghers on the flood, Or, as it were, the pageants of the sea, Do overpeer the petty traffickers, That curtsy to them, do them reverence, As they fly by them with their woven wings. Salan. Believe me, sir, had I such venture forth, The better part of my affections would I should be still Be with my hopes abroad. Plucking the grass, to know where sits the wind, Peering in maps for ports and piers and roads; And every object that might make me fear Misfortune to my ventures, out of doubt Would make me sad.

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Salar. My wind cooling my broth Would blow me to an ague, when I thought What harm a wind too great at sea might do. I should not see the sandy hour-glass run, But I should think of shallows and of flats, And see my wealthy Andrew dock'd in sand, Vailing her high-top lower than her ribs To kiss her burial. Should I go to church And see the holy edifice of stone,

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And not bethink me straight of dangerous rocks,
Which touching but my gentle vessel's side,
Would scatter all her spices on the stream,
Enrobe the roaring waters with my silks,
And, in a word, but even now worth this,
And now worth nothing? Shall I have the thought
To think on this, and shall I lack the thought
That such a thing bechanced would make me sad?
But tell not me; I know, Antonio

Is sad to think upon his merchandise.

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OLD GOBBO, father to Launcelot. LEONARDO, servant to Bassanio. BALTHASAR,

STEPHANO,

servants to Portia.

PORTIA, a rich heiress.
NERISSA, her waiting-maid.
JESSICA, daughter to Shylock.

Magnificoes of Venice, Officers of the Court of Justice, Gaoler, Servants to Portia, and other Attendants.

SCENE: Partly at Venice, and partly at Belmont, the seat of Portia, on the Continent.

Ant. Believe me, no: I thank my fortune for it, My ventures are not in one bottom trusted, Nor to one place; nor is my whole estate Upon the fortune of this present year: Therefore my merchandise makes me not sad. Salar. Why, then you are in love.

Ant.

Fie, fie! Salar. Not in love neither? Then let us say

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Janus,

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Nature hath framed strange fellows in her time:
Some that will evermore peep through their eyes
And laugh like parrots at a bag-piper,
And other of such vinegar aspect

That they'll not show their teeth in way of smile,
Though Nestor swear the jest be laughable.

Enter BASSANIO, LORENZO, and GRATIANO. Salan. Here comes Bassanio, your most noble kinsman,

Gratiano and Lorenzo. Fare ye well:
We leave you now with better company.
Salar I would have stay'd till I had made
you merry,

If worthier friends had not prevented me.
Ant. Your worth is very dear in my regard.
I take it, your own business calls on you
And you embrace the occasion to depart.

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Salar. Good morrow, my good lords. Bass. Good signiors both, when shall we laugh? say, when?

You grow exceeding strange : must it be so? Salar. We'll make our leisures to attend on yours,

[Exeunt Salarino and Salanio. Lor. My Lord Bassanio, since you have found Antonio,

We two will leave you: but at dinner-time,
I pray you, have in mind where we must meet.
Bass. I will not fail you.

Gra. You look not well, Signior Antonio;
You have too much respect upon the world:

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They lose it that do buy it with much care:
Believe me, you are marvellously changed.
Ant. I hold the world but as the world,
Gratiano;

A stage where every man must play a part,
And mine a sad one.

Gra.

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Let me play the fool: With mirth and laughter let old wrinkles come, And let my liver rather heat with wine Than my heart cool with mortifying groans. Why should a man, whose blood is warm within, Sit like his grandsire cut in alabaster? Sleep when he wakes and creep into the jaundice By being peevish? I tell thee what, AntonioI love thee, and it is my love that speaksThere are a sort of men whose visages Do cream and mantle like a standing pond, And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit, As who should say I am Sir Oracle, And when I ope my lips let no dog bark!' O my Antonio, I do know of these That therefore only are reputed wise For saying nothing, when, I am very sure,

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If they should speak, would almost damn those ears Which, hearing them, would call their brothers fools.

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I'll tell thee more of this another time:
But fish not, with this melancholy bait,
For this fool gudgeon, this opinion.
Come, good Lorenzo. Fare ye well awhile:
I'll end my exhortation after dinner.
Lor. Well, we will leave you then till dinner-
time:

I must be one of these same dumb wise men,
For Gratiano never lets me speak.

Gra. Well, keep me company but two years moe, Thou shalt not know the sound of thine own tongue. Ant. Farewell: I'll grow a talker for this gear. Gra. Thanks, i' faith, for silence is only commendable

In a neat's tongue dried and a maid not vendible. [Exeunt Gratiano and Lorenzo.

Ant. Is that any thing now? Bass. Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff: you shall seek all day ere you find them, and when you have them, they are not worth the search.

Ant. Well, tell me now what lady is the same To whom you swore a secret pilgrimage, That you to-day promised to tell me of?

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Bass. 'Tis not unknown to you, Antonio, How much I have disabled mine estate, By something showing a more swelling port Than my faint means would grant continuance: Nor do I now make moan to be abridged From such a noble rate; but my chief care Is to come fairly off from the great debts Wherein my time something too prodigal Hath left me gaged. To you, Antonio, I owe the most, in money and in love, And from your love I have a warranty To unburden all my plots and purposes How to get clear of all the debts I owe.

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Ant. I pray you, good Bassanio, let me know it; And if it stand, as you yourself still do,

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I shot his fellow of the self-same flight
The self-same way with more advised watch,
To find the other forth, and by adventuring both
I oft found both: I urge this childhood proof,
Because what follows is pure innocence.
I owe you much, and, like a wilful youth,
That which I owe is lost; but if you please
To shoot another arrow that self way
Which you did shoot the first, I do not doubt,
As I will watch the aim, or to find both
Or bring your latter hazard back again
And thankfully rest debtor for the first.
Ant. You know me well, and herein spend

but time

To wind about my love with circumstance;
And out of doubt you do me now more wrong
In making question of my uttermost
Than if you had made waste of all I have:
Then do but say to me what I should do
That in your knowledge may by me be done,
And I am prest unto it: therefore, speak.

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160 |

Bass. In Belmont is a lady richly left; And she is fair and, fairer than that word, Of wondrous virtues: sometimes from her eyes I did receive fair speechless messages: Her name is Portia, nothing undervalued To Cato's daughter, Brutus' Portia : Nor is the wide world ignorant of her worth, For the four winds blow in from every coast Renowned suitors, and her sunny locks Hang on her temples like a golden fleece; Which makes her seat of Belmont Colchos' strand, And many Jasons come in quest of her. O my Antonio, had I but the means To hold a rival place with one of them, I have a mind presages me such thrift, That I should questionless be fortunate!

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Ant. Thou know'st that all my fortunes are

at sea;

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Neither have I money nor commodity
To raise a present sum: therefore go forth;
Try what my credit can in Venice do:
That shall be rack'd, even to the uttermost,
To furnish thee to Belmont, to fair Portia.
Go, presently inquire, and so will I,
Where money is, and I no question make
To have it of my trust or for my sake. [Exeunt.
SCENE II. Belmont. A room in PORTIA's house.
Enter PORTIA and NERISSA.
Por. By my troth, Nerissa, my little body is
aweary of this great world.

Ner. You would be, sweet madam, if your miseries were in the same abundance as your good fortunes are: and yet, for aught I see, they are as sick that surfeit with too much as they that starve with nothing. It is no mean happiness therefore, to be seated in the mean: superfluity comes sooner by white hairs, but competency lives longer.

ΙΟ

Por. Good sentences and well pronounced. Ner. They would be better, if well followed. Por. If to do were as easy as to know what

Ner. What think you of the Scottish lord, his neighbour?

Por. That he hath a neighbourly charity in him, for he borrowed a box of the ear of the Englishman and swore he would pay him again when he was able: I think the Frenchman became his surety and sealed under for another. Ner. How like you the young German, the Duke of Saxony's nephew?

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were good to do, chapels had been churches and poor men's cottages princes' palaces. It is a good divine that follows his own instructions: I can easier teach twenty what were good to be done, than be one of the twenty to follow mine own teaching. The brain may devise laws for the blood, but a hot temper leaps o'er a cold decree: such a hare is madness the youth, to skip o'er the meshes of good counsel the cripple. But this reasoning is not in the fashion to choose me a Por. Very vilely in the morning, when he is husband. O me, the word 'choose!' I may nei- sober, and most vilely in the afternoon, when he ther choose whom I would nor refuse whom I is drunk: when he is best, he is a little worse dislike; so is the will of a living daughter curbed than a man, and when he is worst, he is little by the will of a dead father. Is it not hard, better than a beast: an the worst fall that ever Nerissa, that I cannot choose one nor refuse fell, I hope I shall make shift to go without 29 him. Ner. Your father was ever virtuous; and holy at their death have good inspirations: therefore the lottery, that he hath devised in these three chests of gold, silver and lead, whereof who chooses his meaning chooses you, will, no doubt, never be chosen by any rightly but one who shall rightly love. But what warmth is there in your affection towards any of these princely suitors that are already come?

none?

men

Por. I pray thee, over-name them; and as thou namest them, I will describe them; and, according to my description, level at my affection.

Ner. First, there is the Neapolitan prince. Por. Ay, that's a colt indeed, for he doth nothing but talk of his horse; and he makes it a great appropriation to his own good parts, that he can shoe him himself. I am much afeard my lady his mother played false with a smith.

Ner. Then there is the County Palatine. Por. He doth nothing but frown, as who should say 'If you will not have me, choose:' he hears merry tales and smiles not: I fear he will prove the weeping philosopher when he grows old, being so full of unmannerly sadness in his youth. I had rather be married to a death'shead with a bone in his mouth than to either of these. God defend me from these two!

Ner. How say you by the French lord, Monsieur Le Bon?

Por. God made him, and therefore let him pass for a man. In truth, I know it is a sin to be a mocker: but, he! why, he hath a horse better than the Neapolitan's, a better bad habit of frowning than the Count Palatine; he is every man in no man; if a throstle sing, he falls straight a capering: he will fence with his own shadow: if I should marry him, I should marry twenty husbands. If he would despise me, I would forgive him, for if he love me to madness, I shall never requite him.

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Ner. What say you, then, to Falconbridge, the young baron of England?'

Por. You know I say nothing to him, for he understands not me, nor I him: he hath neither Latin, French, nor Italian, and you will come into the court and swear that I have a poor pennyworth in the English. He is a proper man's picture, but, alas, who can converse with a dumbshow? How oddly he is suited! I think he bought his doublet in Italy, his round hose in France, his bonnet in Germany and his behavious every where.

Ner. If he should offer to choose, and choose the right casket, you should refuse to perform your father's will, if you should refuse to accept him.

Por. Therefore, for fear of the worst, I pray thee, set a deep glass of rhenish wine on the contrary casket, for if the devil be within and that temptation without, I know he will choose it. I will do any thing, Nerissa, ere I'll be married to a sponge.

Ner. You need not fear, lady, the having any of these lords: they have acquainted me with their determinations; which is, indeed, to return to their home and to trouble you with no more suit, unless you may be won by some other sort than your father's imposition depending on the caskets.

Por. If I live to be as old as Sibylla, I will die as chaste as Diana, unless I be obtained by the manner of my father's will. I am glad this parcel of wooers are so reasonable, for there is not one among them but I dote on his very absence, and I pray God grant them a fair departure.

Ner. Do you not remember, lady, in your father's time, a Venetian, a scholar and a soldier, that came hither in company of the Marquis of Montferrat?

Por. Yes, yes, it was Bassanio; as I think, he was so called.

Ner. True, madam: he, of all the men that ever my foolish eyes looked upon, was the best deserving a fair lady.

131

Por. I remember him well, and I remember him worthy of thy praise.

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SCENE III.

THE MERCHANT OF VENICE.

Venice. A public place.

Enter BASSANIO and SHYLOCK.

Shy. Three thousand ducats; well.
Bass. Ay, sir, for three months.
Shy. For three months; well.

Bass.

For the which, as I told you, Antonio

shall be bound.

Shy. Antonio shall become bound; well. Bass. May you stead me? will you pleasure me? shall I know your answer?

Shy. Three thousand ducats for three months and Antonio bound.

Bass.

Your answer to that.

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Shy. Antonio is a good man.
Bass. Have you heard any imputation to the
contrary?

Shy. Oh, no, no, no, no: my meaning in saying he is a good man is to have you understand me that he is sufficient. Yet his means are in supposition: he hath an argosy bound to Tripolis, another to the Indies; I understand, moreover, upon the Rialto, he hath a third at Mexico, a fourth for England, and other ventures he hath, squandered abroad. But ships are but boards, sailors but men: there be land-rats and waterrats, water-thieves and land-thieves, I mean pirates, and then there is the peril of waters, winds and rocks. The man is, notwithstanding, sufficient. Three thousand ducats; I think I may take his bond.

Bass. Be assured you may.

Shy. I will be assured I may; and, that I may be assured, I will bethink me. May I speak with Antonio?

Bass. If it please you to dine with us. Shy. Yes, to smell pork; to eat of the habitation which your prophet the Nazarite conjured the devil into. I will buy with you, sell with you, talk with you, walk with you, and so following, but I will not eat with you, drink with you, nor pray with you. Who is he comes here? What news on the Rialto?

Enter ANTONIO.

Bass. This is Signior Antonio.

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[ACT I.

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Well then, your bond; and let me see; but

hear you;

you neither lend nor borrow I do never use it.

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Methought you said
Upon advantage.
Ant.
Shy. When Jacob grazed his uncle Laban's
This Jacob from our holy Abram was,
sheep-
As his wise mother wrought in his behalf,
The third possessor; ay, he was the third-
Ant. And what of him? did he take interest?
Shy. No, not take interest, not, as you would
Directly interest: mark what Jacob did.
say,
When Laban and himself were compromised
Should fall as
That all the eanlings which were streak'd and pied
And, when the work of generation was
In the end of autumn turned to the rams,
Jacob's hire, the ewes, being rank,
Between these woolly breeders in the act,
The skilful shepherd peel'd me certain wands
He stuck them up before the fulsome ewes,
And, in the doing of the deed of kind,
Who then conceiving did in eaning time
Fall parti-colour'd lambs, and those were Jacob's.
And thrift is blessing, if men steal it not.
This was a way to thrive, and he was blest:
Ant. This was a venture, sir, that Jacob
A thing not in his power to bring to pass,
served for;
Was this inserted to make interest good?
But sway'd and fashion'd by the hand of heaven.
Or is your gold and silver ewes and rams?
Shy. I cannot tell; I make it breed as fast:
But note me, signior.
Ant.

Mark you this, Bassanio,

Shy. [Aside] How like a fawning publican he The devil can cite Scripture for his purpose.

looks!

I hate him for he is a Christian,

But more for that in low simplicity

He lends out money gratis and brings down
The rate of usance here with us in Venice.
If I can catch him once upon the hip,

I will feed fat the ancient grudge I bear him.
He hates our sacred nation, and he rails,
Even there where merchants most do
On me, my bargains and my well-won thrift, 51
congregate,
Which he calls interest. Cursed be my tribe,
If I forgive him!

Bass.

Shylock, do

Shy. I am debating of my present store,
you hear?
And, by the near guess of my memory,
I cannot instantly raise up the gross

Of full three thousand ducats. What of that?
Tubal, a wealthy Hebrew of my tribe,
Will furnish me. But soft! how many months
Do you desire? [To Ant.] Rest you fair, good
signior;

Your worship was the last man in our mouths.

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Shy. Signior Antonio, many a time and oft
In the Rialto you have rated me
About my moneys and my usances:
Still have I borne it with a patient shrug,
For sufferance is the badge of all our tribe.
You call me misbeliever, cut-throat dog,
And spit upon my Jewish gaberdine,
And all for use of that which is mine own.
Go to, then; you come to me, and you say
Well then, it now appears you need my help:

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Shylock, we would have moneys:' you say so;
You, that did void your rheum upon my beard

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Ant. I am as like to call thee so again, To spit on thee again, to spurn thee too. If thou wilt lend this money, lend it not As to thy friends; for when did friendship take A breed for barren metal of his friend? But lend it rather to thine enemy, Who, if he break, thou mayst with better face Exact the penalty.

Shy.

Why, look you, how you storm! I would be friends with you and have your love, Forget the shames that you have stain'd me with, Supply your present wants and take no doit 141 Ofusance for my moneys, and you'll not hear me: This is kind I offer.

Bass. This were kindness.
Shy.

This kindness will I show.
Go with me to a notary, seal me there
Your single bond; and, in a merry sport,
If you repay me not on such a day,
In such a place, such sum or sums as are
Express'd in the condition, let the forfeit
Be nominated for an equal pound

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Of your fair flesh, to be cut off and taken
In what part of your body pleaseth me.
Ant. Content, i' faith: I'll seal to such a bond
And say there is much kindness in the Jew.
Bass. You shall not seal to such a bond for me:
I'll rather dwell in my necessity.

Ant. Why, fear not, man; I will not forfeit it: Within these two months, that's a month before This bond expires, I do expect return

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Of thrice three times the value of this bond. Shy. O father Abram, what these Christians are,

Whose own hard dealings teaches them suspect The thoughts of others! Pray you, tell me this; If he should break his day, what should I gain By the exaction of the forfeiture?

I say,

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A pound of man's flesh taken from a man
Is not so estimable, profitable neither,
As flesh of muttons, beefs, or goats.
To buy his favour, I extend this friendship:
If he will take it, so; if not, adieu;
And, for my love, I pray you wrong me not.
Ant. Yes, Shylock, I will seal unto this bond.
Shy. Then meet me forthwith at the notary's;
Give him direction for this merry bond,
And I will go and purse the ducats straight,
See to my house, left in the fearful guard
Of an unthrifty knave, and presently
I will be with you.
Ant.
Hie thee, gentle Jew. [Exit Shylock.
The Hebrew will turn Christian: he grows kind.
Bass. I like not fair terms and a villain's mind.
Ant. Come on: in this there can be no dismay;
My ships come home a month before the day.

[Exeunt.

ACT II.

SCENE I. Belmont. A room in PORTIA's house. Flourish of cornets. Enter the PRINCE OF MOROCCO and his train; PORTIA, NERISSA, and others attending.

ΤΟ

Mor. Mislike me not for my complexion, The shadow'd livery of the burnish'd sun, To whom I am a neighbour and near bred. Bring me the fairest creature northward born, Where Phoebus' fire scarce thaws the icicles, And let us make incision for your love, To prove whose blood is reddest, his or mine. I tell thee, lady, this aspect of mine Hath fear'd the valiant: by my love, I swear The best-regarded virgins of our clime Have loved it too: I would not change this hue, Except to steal your thoughts, my gentle queen. Por. In terms of choice I am not solely led By nice direction of a maiden's eyes; Besides, the lottery of my destiny Bars me the right of voluntary choosing: But if my father had not scanted me And hedged me by his wit, to yield myself His wife who wins me by that means I told you, Yourself, renowned prince, then stood as fair 20 As any comer I have look'd on yet For my affection.

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Mor. Even for that I thank you : Therefore, I pray you, lead me to the caskets To try my fortune. By this scimitar That slew the Sophy and a Persian prince That won three fields of Sultan Solyman, I would outstare the sternest eyes that look, Outbrave the heart most daring on the earth, Pluck the young sucking cubs from the she-bear, Yea, mock the lion when he roars for prey, To win thee, lady. But, alas the while! If Hercules and Lichas play at dice Which is the better man, the greater throw May turn by fortune from the weaker hand: So is Alcides beaten by his page; And so may I, blind fortune leading me, Miss that which one unworthier may attain, And die with grieving. Por. You must take your chance, And either not attempt to choose at all Or swear before you choose, if you choose wrong Never to speak to lady afterward

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In way of marriage: therefore be advised. Mor. Nor will not. Come, bring me unto my chance.

Por. First, forward to the temple: after dinner Your hazard shall be made. Mor.

Good fortune then!

To make me blest or cursed'st among men, [Cornets, and exeunt.

SCENE II. Venice. A street.

Enter LAUNCELOT.

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