Collected Essays, Papers, Etc, Volumen10Georg Olms Verlag |
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Página 9
... reason . As an example of this class , I will first examin what seems to me inconsistency in the character of Angelo in MEASURE FOR MEASURE . Angelo , as introduced to us , is not a hypocrit , meanin by that term an unprincipled man who ...
... reason . As an example of this class , I will first examin what seems to me inconsistency in the character of Angelo in MEASURE FOR MEASURE . Angelo , as introduced to us , is not a hypocrit , meanin by that term an unprincipled man who ...
Página 22
... reason or rein , as miht be proper in a low comedy , where its absurdity would be ridiculed away : but if so , his scheme was artistically as bad as any third - rate melodrama of today : the admixture of tragic incident creates a ...
... reason or rein , as miht be proper in a low comedy , where its absurdity would be ridiculed away : but if so , his scheme was artistically as bad as any third - rate melodrama of today : the admixture of tragic incident creates a ...
Página 28
... reason was that he must hav acquired a purposeful intentional habit of disregarding such indif ferent matters ; and that is not carelessness . So for the con tradictions which we hav found in his plays ; —he had , as it were , a balance ...
... reason was that he must hav acquired a purposeful intentional habit of disregarding such indif ferent matters ; and that is not carelessness . So for the con tradictions which we hav found in his plays ; —he had , as it were , a balance ...
Página 41
... assumption . No line can be drawn between the animal and vegetable kingdoms , but we do not for that reason deng the typical distinction between a lion and an oak tree . again is not free verse . ( Under this head 41 HARUM SCARUM.
... assumption . No line can be drawn between the animal and vegetable kingdoms , but we do not for that reason deng the typical distinction between a lion and an oak tree . again is not free verse . ( Under this head 41 HARUM SCARUM.
Página 89
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agein Anglican chant artistic beauty better bewty blank verse call'd chat chatt Chaucer cher Church common consider'd coud criticism Dante diction EMILY BRONTË emotion Endymion English essay example ɛny final accent free verse GEORGE DARLEY grat greit havever hymns Hyperion ideal ideas imagination intu Keats languag lines literary Mary Coleridge means melody meny metre metrical Milton mind modern mute natural never original passag patients phonetic plain-song poem poet poetic poetry porms practice PRINTED prose Prosody Psalms purpos reader reason rhythm rime Robert Bridges sense Shakespeare shud hav singing sonnets sound speech speech-rhythm spiritual stanza sung syllabic verse syllables symbol thare thatt thavht ther things thru tion true tunes unaccented vowel whare wonce words write written wud hav
Pasajes populares
Página 64 - Fame is the spur that the clear spirit doth raise (That last infirmity of noble mind) To scorn delights and live laborious days; But the fair guerdon when we hope to find, And think to burst out into sudden blaze, Comes the blind Fury with th' abhorred shears, And slits the thin-spun life. 'But not the praise...
Página 271 - THREE Poets, in three distant ages born, Greece, Italy, and England did adorn. The first in loftiness of thought surpassed; The next in majesty •, In both the last. The force of Nature could no further go ; To make a third, she joined the former two.
Página 159 - Be still the unimaginable lodge For solitary thinkings; such as dodge Conception to the very bourne of heaven, Then leave the naked brain: be still the leaven, That spreading in this dull and clodded earth Gives it a touch ethereal— a new birth...
Página 53 - Harmonious numbers; as the wakeful bird Sings darkling, and, in shadiest covert hid, Tunes her nocturnal note.
Página 98 - I shall call the Chamber of Maiden-Thought, than we become intoxicated with the light and the atmosphere, we see nothing but pleasant wonders, and think of delaying there for ever in delight. However among the effects this breathing is father of is that tremendous one of sharpening one's vision into the heart and nature of Man — of convincing one's nerves that the world is full of Misery and Heartbreak, Pain, Sickness and oppression...
Página 211 - Stop and consider ! life is but a day, A fragile dew-drop on its perilous way From a tree's summit ; a poor Indian's sleep While his boat hastens to the monstrous steep Of Montmorenci. Why so sad a moan ? Life is the rose's hope while yet unblown ; The reading of an ever-changing tale ; The light uplifting of a maiden's veil ; A pigeon tumbling in clear summer air ; A laughing school-boy, without grief or care, Riding the springy branches of an elm.
Página 112 - Saturn, look up ! — though wherefore, poor old King ? I have no comfort for thee, no not one : I cannot say, 'O wherefore sleepest thou?' For heaven is parted from thee, and the earth Knows thee not, thus afflicted, for a God; And ocean too, with all its solemn noise, Has from thy sceptre pass'd; and all the air Is emptied of thine hoary majesty.
Página 98 - I compare human life to a large Mansion of many apartments, two of which I can only describe, the doors of the rest being as yet shut upon me. The first we step into we call the Infant, or Thoughtless Chamber, in which we remain as long as we do not think. We remain there a long while...
Página 98 - burden of the Mystery." To this point was Wordsworth come, as far as I can conceive, when he wrote "Tintern Abbey," and it seems to me that his Genius is explorative of those dark Passages.