SCENE III.-The same. Before the Palace. Enter two Soldiers, to their guard. 1 SOLD. Brother, good night: to-morrow is the day. 2 SOLD. It will determine one way: fare you well. Heard you of nothing strange about the streets? 1 SOLD. Nothing. 2 SOLD. Good night to you. 1 SOLD. What news? Belike 't is but a rumour. Well, sir, good night. Enter two other Soldiers. 2 SOLD. Soldiers, Have careful watch. 3 SOLD. And you. Good night, good night. [The first and second go to their posts. 4 SOLD. Here we: [Taking their posts.] and if to-morrow Our navy thrive, I have an absolute hope Our landmen will stand up. Peace! what noise? List, list! Under the earth! It signs well. Peace, I say! What should this mean? 2 SOLD. "Tis the god Hercules, whom Antony lov❜d, 3 SOLD. Do you hear, masters? do you hear? 1 SOLD. Follow the noise so far as we have quarter; Let's see how 't will give off. SOLDIERS. [Speaking together.] Content: 't is strange. SCENE IV.-The same. A Room in the Palace. [Exeunt. Enter ANTONY and CLEOPATRA; CHARMIAN, IRAs, and others, attending. ANT. Eros! mine armour, Eros! ■ It signs well,-] It is a good sign, an auspicious omen, CLEO. Sleep a little. ANT. No, my chuck.-Eros, come; mine armour, Eros! Well, well: The armourer of my heart;-false, false; this, this. EROS. CLEO. Is not this buckled well? ANT. Briefly, sir. Rarely, rarely; He that unbuckles this, till we do please To doff't for our repose, shall hear a storm.- A workman in 't. Enter an Officer armed. Good morrow to thee; welcome: Thou look'st like him that knows a warlike charge. And go to't with delight. OFF. Early though 't be, have on their riveted trim, A thousand, sir, And at the port expect you. [Shout and flourish of trumpets without. Enter other Officers, and Soldiers. 2 OFF. The morn is fair.-Good morrow, general. ALL. Good morrow, general. ANT. "Tis well blown, lads: This morning, like the spirit of a youth That means to be of note, begins betimes. So, so; come, give me that: this way; well said. Fare thee well, dame, whate'er becomes of me: This is a soldier's kiss: rebukeable, (*) Old text, thine; corrected by Johnson. [Kisses her. (†) First folio, Alex. thus it must be.] This and the two preceding speeches stand thus in the old copies, "CLEO. Nay, Ile helpe too, Anthony. What's this for? Ah let be, let be, thou art The Armourer of my heart: False, false: This, this, and were correctly arranged by Hanmer and Malone. And worthy shameful check it were, to stand [Exeunt ANTONY, EROS, Officers, and Soldiers. CHAR. Please you, retire to your chamber? Then, Antony, but now,-Well, on. SCENE V.-Antony's Camp near Alexandria. [Exeunt. Trumpets sound. Enter ANTONY and EROS; an Officer meeting them. OFF.* The gods make this a happy day to Antony! ANT. Would thou and those thy scars had once prevail'd To make me fight at land! OFF.* ANT. OFF.* Who's gone this morning? Who! One ever near thee: call for Enobarbus, Say, I am none of thine. ANT. What say'st thou ? OFF. Sir, ANT. Go, Eros, send his treasure after; do it; To change a master.-O, my fortunes have Corrupted honest men!-Despatch.-Enobarbus! SCENE VI.-Cæsar's Camp before Alexandria. [Exeunt. Flourish. Enter CÆSAR, with AGRIPPA, ENOBARBUS, and others. CES. Go forth, Agrippa, and begin the fight: Our will is Antony be took alive; Make it so known. AGR. Cæsar, I shall. (*) First folio, Eros. [Exit. CES. The time of universal peace is near: Prove this a prosperous day, the three-nook'd world Plant those that have revolted in the van, That Antony may seem to spend his fury [Exeunt all except ENOBARBUS. ENO. Alexas did revolt; and went to Jewry on SOLD. Enter a Soldier of CESAR'S. Hath after thee sent all thy treasure, with ENO. I give it you. Mock not, Enobarbus. SOLD. ENO. I am alone the villain of the earth, Thou mine of bounty, how wouldst thou have paid My better service, when my turpitude [Exit. Thou dost so crown with gold! This blows my heart: If swift thought break it not, a swifter mean Shall outstrike thought: but thought will do 't, I feel. I fight against thee!-No: I will go seek Some ditch wherein to die; the foul'st best fits My latter part of life. [Exit. SCENE VII.-Field of Battle between the Camps. Alarum. Drums and trumpets. Enter AGRIPPA and others. AGR. Retire! we have engag'd ourselves too far: blows-] Swells. b (*) First folio, dissuade. thought-] "Thought," as Malone remarks, " in this passage means melancholy.' Cæsar himself has work, and our oppression Alarum. Enter ANTONY, and SCARUS wounded. ANT. Thou bleed'st apace. SCAR. I had a wound here that was like a T, But now 't is made an H.a ANT. They do retire. SCAR. We'll beat 'em into bench-holes: I have yet Room for six scotches more. Enter EROS. EROS. They are beaten, sir; and our advantage serves For a fair victory. SCAR. Let us score their backs, And snatch 'em up, as we take hares, behind; "Tis sport to maul a runner. ANT. SCAR. [Exeunt. I will reward thee I'll halt after. [Exeunt. SCENE VIII.-Under the Walls of Alexandria. Alarum. Enter ANTONY, marching; SCARUS, and Forces. c Enter CLEOPATRA, attended. To this great fairy I'll commend thy acts, Make her thanks bless thee.-O, thou day o' the world, Through proof of harness to my heart, and there Ride on the pants triumphing! [To SCARUS. -an H.] The same play (if any were intended here) on HI and ache occurs in 'Much Ado About Nothing," Act III. Sc. 4. b our gests.-] Our exploits. So Theobald. The old copies have guests. c fairy-] Enchantress. d-proof of harness-] Armour of proof. |