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TO THE

RIGHT HONOURABLE HENRY WRIOTHESly,

EARL OF SOUTHAMPTON, AND BARON OF TICHFIELD.

RIGHT HONOURABLE,

I know not how I shall offend in dedicating my unpolished lines to your lordship, nor how the world will censure me for choosing so strong a prop to support so weak a burden: only, if your honour seem but pleased, I account myself highly praised, and vow to take advantage of all idle hours, till I have honoured you with some graver labour. But if the first heir of my invention prove deformed, I shall be sorry it had so noble a god-father, and never after ear so barren a land, for fear it yield me still so bad a harvest. I leave it to your honourable survey, and your honour to your heart's content; which I wish may always answer your own wish, and the world's hopeful expectation.

Your honour's in all duty,

WILLIAM SHAKESPEARE.

a-and never after ear so barren a land,-] To ear is to plough or till: So in "All's Well That Ends Well," Act I. Sc. 3,-"He that ears my land, spares my team," &c. Again

in "King Richard II." Act III. Sc. 2,-

" and let them go
To ear the land that hath some hope to grow."

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THIS poem, if we are to accept the expression in the introductory epistle-"the first heir of my invention"-literally, was Shakespeare's earliest composition. Some critics conceive it to have been written, indeed, before he quitted Stratford; but the question when and where it was produced has yet to be decided. It was entered on the Stationers' Registers by Richard Field, as "licensed by the Archbishop of Canterbury, and the Wardens," in 1593, and the first edition was printed in the same year. This edition was speedily exhausted, and a second by the same printer was put forth in 1594. This again was followed by an octavo impression in 1596, and so much was the poem in demand that it had reached a fifth edition by 1602. After this date it was often reprinted, and copies of 1616, 1620, 1624, and 1627 are still extant. Its popularity, as Mr. Collier observes, is established also by the frequent mention of it in early writers.

"In the early part of Shakspeare's life, his poems seem to have gained him more reputation than his plays ;-at least they are oftener mentioned or alluded to. Thus the author of an old comedy, called The Return from Parnassus, written about 1602, in his review of the poets of the time, says not a word of his dramatick compositions, but allots him his portion of fame solely on account of the poems that he had produced."-MALONE.

The text adopted in the present reprint of "Venus and Adonis" is that of the first quarto, 1593, collated with the best of the later editions.

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Here come and sit, where never serpent hisses,
And being set, I'll smother thee with kisses;

"And yet not cloy thy lips with loath'd satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety,-
Ten kisses short as one, one long as twenty:

A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport."
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enrag'd, desire doth lend her force
Courageously to pluck him from his horse.

Over one arm the lusty courser's rein,
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;

She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.

The studded bridle on a ragged bough
Nimbly she fastens ; (O, how quick is love!)
The steed is stalled up, and even now
To tie the rider she begins to prove :

Backward she push'd him, as she would be thrust, And govern'd him in strength, though not in lust.

So soon was she along, as he was down,
Each leaning on their elbows and their hips:
Now doth she stroke his cheek, now doth he frown,
And 'gins to chide, but soon she stops his lips;
And kissing, speaks, with lustful language
broken,

"If thou wilt chide, thy lips shall never open."
He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks:
Then with her windy sighs and golden hairs,
To fan and blow them dry again she seeks :

He saith she is immodest, blames her 'miss; b What follows more she murders with a kiss.

Even as an empty eagle, sharp by fast,
Tires with her beak on feathers, flesh, and bone,
Shaking her wings, devouring all in haste,
Till either gorge be stuff'd, or prey be gone;

Even so she kiss'd his brow, his cheek, his chin,
And where she ends she doth anew begin.

Forc'd to content, but never to obey,
Panting he lies, and breatheth in her face;

8- precedent-] Precedent appears to be used here in the sense of sign, or indicator.

b- blames her 'miss ;] Amiss is elsewhere employed by Shakespeare as a substantive; thus in "Hamlet," Act IV. Sc. 5,

"Each toy seems prologue to some great amiss."

See also Sonnet XXXV.

e Tires-] To tire is to peck, to tear, to prey.

d Forc'd to content,-] To acquiescence.

e-a river that is rank,-] "Rank" meant brimming, full, &c. Thus in "Julius Cæsar," Act III. Sc. 1,—

She feedeth on the steam as on a prey,
And calls it heavenly moisture, air of grace;

Wishing her cheeks were gardens full of flowers, So they were dew'd with such-distilling showers. Look, how a bird lies tangled in a net,

So fasten'd in her arms Adonis lies;
Pure shame and aw'd resistance made him fret,
Which bred more beauty in his

angry eyes: Rain added to a river that is rank, Perforce will force it overflow the bank.

Still she entreats, and prettily entreats,
For to a pretty ear she tunes her tale;
Still is he sullen, still he low'rs and frets,
"Twixt crimson shame and anger ashy-pale;
Being red, she loves him best; and being white,
Her best is better'd with a more delight.

Look how he can, she cannot choose but love;
And by her fair immortal hand she swears
From his soft bosom never to remove,

Till he take truce with her contending tears, Which long have rain'd, making her cheeks all wet;

And one sweet kiss shall pay this countless debt.

Upon this promise did he raise his chin,
Like a dive-dapper peering through a wave,
Who, being look'd on, ducks as quickly in;
So offers he to give what she did crave;

But when her lips were ready for his pay,
He winks, and turns his lips another way.

Never did passenger in summer's heat
More thirst for drink than she for this good turn:
Her help she sees, but help she cannot get ;
She bathes in water, yet her fire must burn :
"O, pity," 'gan she cry, "flint-hearted boy!
'Tis but a kiss I beg; why art thou coy?
"I have been woo'd, as I entreat thee now,
Even by the stern and direful god of war,
Whose sinewy neck in battle ne'er did bow,
Who conquers where he comes, in every jar;

Yet hath he been my captive and my slave, And begg'd for that which thou unask'd shalt have.

"Over my altars hath he hung his lance,
His batter'd shield, his uncontrolled crest,
And for my sake hath learn'd to sport and dance,
To toy, to wanton, dally, smile, and jest;

Scorning his churlish drum, and ensign red,
Making my arms his field, his tent my bed.

"Who else must be let blood, who else is rank;" unless in that passage "rank" expresses too luxuriant, too hightopped. So, too, in Drayton's "Barons' Wars," 1603,

"Fetching full tides, luxurious, high, and rank.” fyet her fire must burn:] So read the editions, 1593, 1594, 1596; the later copies have,-" yet in fire must burn."

g To toy,-] The reading of the two earliest copies. The later ones have, "To coy," &c.

"Thus he that overrul'd I oversway'd,
Leading him prisoner in a red-rose chain:
Strong-temper'd steel his stronger strength obey'd,
Yet was he servile to my coy disdain.

O, be not proud, nor brag not of thy might,
For mastering her that foil'd the god of fight!

"Touch but my lips with those fair lips of thine,Though mine be not so fair, yet are they red,The kiss shall be thine own as well as mine:What see'st thou in the ground? hold up thy head;

Look in mine eyeballs, there thy beauty lies; Then why not lips on lips, since eyes in eyes?

"Art thou asham'd to kiss? then wink again, And I will wink; so shall the day seem night; Love keeps his revels where there are but twain ; Be bold to play, our sport is not in sight:

These blue-vein'd violets whereon we lean
Never can blab, nor know not what we mean.

"The tender spring upon thy tempting lip
Shows thee unripe; yet mayst thou well be tasted :
Make use of time, let not advantage slip;
Beauty within itself should not be wasted:

Fair flowers that are not gather'd in their prime
Rot and consume themselves in little time.

"Were I hard-favour'd, foul, or wrinkled-old, Ill-natur'd, crooked, churlish, harsh in voice, O'er-worn, despised, rheumatic, and cold, Thick-sighted, barren, lean, and lacking juice, Then mightst thou pause, for then I were not for thee;

But having no defects, why dost abhor me?

"Thou canst not see one wrinkle in my brow; Mine eyes are grey, and bright, and quick in turning;

My beauty as the spring doth yearly grow,
My flesh is soft and plump, my marrow burning;
My smooth moist hand, were it with thy hand
felt,

Would in thy palm dissolve, or seem to melt.

"" Bid me discourse, I will enchant thine ear, Or, like a fairy, trip upon the green, Or, like a nymph, with long dishevell❜d hair, Dance on the sands, and yet no footing seen : Love is a spirit all compact of fire, Not gross to sink. but light, and will aspire. "Witness this primrose bank whereon I lie ; These forceless flowers like sturdy trees support [sky, Two strengthless doves will draw me through the From morn till night, even where I list to sport

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me;

me:

Is love so light, sweet boy, and may it be

That thou shouldst think it heavy unto thee?

compact-] Made up, compounded.

b Souring-] Misprinted To wring, in the quarto, 1593. ebut died unkind!] "Unkind" in this place is explained to mean unnatural, a sense we have seen the word frequently bore; but may it not signify here, without generation: without

723

"Is thine own heart to thine own face affected?
Can thy right hand seize love upon thy left?
Then woo thyself, be of thyself rejected,
Steal thine own freedom, and complain on theft.
Narcissus so himself himself forsook,
And died to kiss his shadow in the brook.

"Torches are made to light, jewels to wear, Dainties to taste, fresh beauty for the use, Herbs for their smell, and sappy plants to Dear; Things growing to themselves are growth's abuse: Seeds spring from seeds, and beauty breedeth beauty,

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Thou wast begot,-to get it is thy duty.

Upon the earth's increase why shouldst thou feed,
Unless the earth with thy increase be fed ?
By law of nature thou art bound to breed,
That thine may live, when thou thyself art dead;
And so, in spite of death, thou dost survive,
In that thy likeness still is left alive.”

By this, the love-sick queen began to sweat,
For, where they lay, the shadow had forsook them,
And Titan, 'tired in the mid-day heat,
With burning eye did hotly overlook them;

Wishing Adonis had his team to guide,
So he were like him, and by Venus' side.
And now Adonis, with a lazy sprite,
And with a heavy, dark, disliking eye,
His lowering brows o'erwhelming his fair sight,
Like misty vapours when they blot the sky,-
Souring his cheeks, cries, "Fie, no more of
love!

The sun doth burn my face; I must remove."

"Ah me," quoth Venus, "young, and so unkind?
What bare excuses mak'st thou to be gone!
I'll sigh celestial breath, whose gentle wind
Shall cool the heat of this descending sun:

I'll make a shadow for thee of my hairs;
If they burn too, I'll quench them with my tears.
"The sun that shines from heaven shines but warm,
And, lo, I lie between that sun and thee!
The heat I have from thence doth little harm,
Thine eye darts forth the fire that burneth me;
And were I not immortal, life were done,
Between this heavenly and earthly sun.

"Art thou obdurate, flinty, hard as steel, Nay, more than flint, for stone at rain relenteth? Art thou a woman's son, and canst not feel What 't is to love? how want of love tormenteth? O, had thy mother borne so hard a mind, She had not brought forth thee, but died unkind!* "What am I, that thou shouldst contemnd me this?

Or what great danger dwells upon my suit?

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What were thy lips the worse for one poor kiss?
Speak, fair; but speak fair words, or else be mute:
Give me one kiss, I'll give it thee again,
And one for interest, if thou wilt have twain.

"Fie, lifeless picture, cold and senseless stone,
Well-painted idol, image dull and dead,
Statue, contenting but the eye alone,
Thing like a man, but of no woman bred!

Thou art no man, though of a man's complexion,
For men will kiss even by their own direction."

This said, impatience chokes her pleading tongue,
And swelling passion doth provoke a pause;
Red cheeks and fiery eyes blaze forth her wrong,
Being judge in love, she cannot right her cause :
And now she weeps, and now she fain would
speak,

And now her sobs do her intendments break.
Sometimes she shakes her head, and then his hand,
Now gazeth she on him, now on the ground;
Sometimes her arms infold him like a band:
She would, he will not in her arms be bound;
And when from thence he struggles to be gone,
She locks her lily fingers one in one.

Fondling," she saith, "since I have hemm'd thee here,

Within the circuit of this ivory pale,
I'll be a park, and thou shalt be my deer ;
Feed where thou wilt, on mountain or in dale:
Graze on my lips; and if those hills be dry,
Stray lower, where the pleasant fountains lie.

"Within this limit is relief enough,

Sweet bottom-grass, and high-delightful plain,
Round rising hillocks, brakes obscure and rough,
To shelter thee from tempest and from rain:

Then be my deer, since I am such a park;
No dog shall rouse thee, though a thousand bark."

At this Adonis smiles as in disdain,
That in each cheek appears a pretty dimple:
Love made those hollows, if himself were slain,
He might be buried in a tomb so simple;

Foreknowing well, if there he came to lie,
Why, there Love liv'd, and there he could not
die.

These lovely caves, these round enchanting pits,
Open'd their mouths to swallow Venus' liking:
Being mad before, how doth she now for wits?
Struck dead at first, what needs a second striking?
Poor queen of love, in thine own law forlorn,
To love a cheek that smiles at thee in scorn!

Now which way shall she turn? what shall she say?

Her words are done, her woes the more increasing;
The time is spent, her object will away,
And from her twining arms doth urge releasing:

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c stand on end; ] "Our author uses mane as composed of many hairs, as plural."-MALONE.

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Pity," she cries, some favour-some remorse!"

Away he springs, and hasteth to his horse.
But, lo, from forth a copse that neighbours by,
A breeding jennet, lusty, young, and proud,
Adonis' trampling courser doth espy,
And forth she rushes, snorts, and neighs aloud:
The strong-neck'd steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven's thun-
der:

The iron bit he crushes 'tween his teeth,
Controlling what he was controlled with.

His ears up-prick'd; his braided hanging mane
Upon his compass'd crest now stand on end;"
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send:

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His eye, which scornfully glisters like fire, Shows his hot courage and his high desire. Sometime he trots, as if he told the steps, With gentle majesty and modest pride; Anon he rears upright, curvets and leaps, As who should say, Lo, thus my strength is tried, And this I do to captivate the eye

Of the fair breeder that is standing by.

What recketh he his rider's angry stir,
His flattering "Holla," or his "Stand, I say "?
What cares he now for curb or pricking spur?
For rich caparisons or trapping gay?

He sees his love, and nothing else he sees,
Nor nothing else with his proud sight agrees.

Look, when a painter would surpass the life,
In limning out a well-proportioned steed,
His art with nature's workmanship at strife,
As if the dead the living should exceed ;

So did this horse excel a common one,d
In shape, in courage, colour, pace, and bone.
Round-hoof'd, short-jointed, fetlocks shag and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs, and passing

strong,

Thick mane, thick tail, broad buttock, tender hide : Look, what a horse should have he did not lack, Save a proud rider on so proud a back.

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