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MAZENGHI*

0 ! Foster-nubse of man's abandoned glory
Since Athens, its great mother, sunk in splendour,
Thou shadowcst forth that mighty shape in story,
As Ocean its WTecked fanes, severe yet tender: —
The light-invested angel Poesy
Was drawn from the dim world to welcome thee.

And thou in painting didst transcribe all taught

By loftiest meditations ; marble knew

The sculptor's fearless soul—and, as he wrought,

The grace of his own power and freedom grew.

And more than all, heroic, just, sublime,

Thou wert among the false—was this thy crime 2

Yes; and on Pisa's marble walls the twine
Of direst weeds hangs garlanded—the snake
Inhabits its wrecked palaces ;—in thine
A beast of subtler venom now doth make
Its lair, and sits amid their glories overthrown,
And thus thy victim's fate is as thine own.

The sweetest flowers are ever frail and rare,
And love and freedom blossom but to wither;
And good and ill like vines entangled are,
So that their grapes may oft be plucked together;—
Divide the vintage ere thou drink, then make
Thy heart rejoice for dead Mazenghi's sake.

No record of his crime remains in story,
But if the morning bright as evening shone,
It was some high and holy deed, by glory
Pursued into forgetfulness, which won
From the blind crowd he made secure and free
The patriot's meed, toil, death, and infamy.

For when by sound of trumpet was declared
A price upon his life, and there was set
A penalty of blood on all who shared
So much of water with him as might wet
His lips, which speech divided not—he went
Alone, as you may guess, to banishment.

Amid the mountains, like a hunted beast,
He hid himself, and hunger, toil, and cold,
Month after month endured ; it was a feast
"Whene'er he found those globes of deep red gold
Which in the woods the strawberry-tree doth bear,
Suspended in their emerald atmosphere.

And in the roofless huts of vast morasses,
Deserted by the fever-stricken serf,
All overgrown with reeds and long rank grasses,
And hillocks heaped of moss-inwoven turf,
And where the huge and speckled aloe made,
Rooted in stones, a broad and pointed shade,

* This fragment refers to an event, told in Sismondi's Hiitoirc ties Rcputliqucs Italiennrs, which occurred during tho war when Florence finally subdued Pisa, and reduced it to a province. The opening stanzas are addressed to the conquering city.—3f. S.

He housed himself. There is a point of strajid
Near Vada's tower and town ; and on one side
The treacherous marsh divides it from the land,
Shadowed by pine and ilex forests wide;
And on the other creeps eternally,
Through muddy weeds, the shallow sullen sea.

Naples, 1818.

SONG FOR TASSO.

I Loved—alas ! our life is love;

But when we cease to breathe and move,

I do suppose love ceases too.

I thought, but not as now I do,

Keen thoughts and bright of linked lore,

Of all that men had thought before,

And all that Nature shows, and more.

And still I love, and still I think,
But strangely, for my heart can drink
The dregs of such despair, and live,
And love;

And if I think, my thoughts come fast;
I mix the present with the past,
And each seems uglier than the last.

Sometimes I see before me flee

A silver spirit's form, like thee,

0 Leonora, and I sit

[ ] still watching it,

Till by the grated casement's ledge

It fades, with such a sigh, as sedge

Breathes o'er the breezy streamlet's edge.

SONNET.

Lift not the painted veil which those who live Call Life; though unreal shapes be pictured

there, And it but mimic all we would believe With colours idly spread,—behind, lurk Fear And Hope, twin Destinies; who ever weave Their shadows, o'er the chasm, sightless and

drear.

I knew one who had lifted it—he sought,
For his lost heart was tender, things to love,
But found them not, alas! nor was there aught
The world contains, the which he could approve.
Through the unheeding many he did move,
A splendour among shadows, a bright blot
Upon this gloomy scene, a Spirit that strove
For truth, and like the Preacher found it not.

NOTE ON THE POEMS OF 1818.

BY THE EDITOR.

Rosa L i N n And Helen was begun at Marlow, and thrown aside—till I found it; and, at my request, h was completed. Shelley had no care for any of his poems that did not emanate from the depths of his mind, and develop some high or abstruse truth. When he does touch on human life and the human heart, no pictures can be more faithful, more delicate, more subtle, or more pathetic. He never mentioned Love, but he shed a grace, borrowed from his own nature, that scarcely any other poet has bestowed, on that passion. When he spoke of it as the law of life, which inasmuch as we rebel against, we err and injure ourselves and others, he promulgated that which he considered an irrefragable truth. In his eyes it was the essence of our being, and all woe and pain arose from the war made against it by selfishness, or insensibility, or mistake. By reverting in his mind to this first principle, he discovered the source of many emotions, and could disclose the secret of all hearts, and his delineations of passion and emotion touch the finest chords of our nature.

Rosalind and Helen was finished during the rammer of 1818, while we were at the Baths of Lucca. Thence Shelley visited Venice, and circumstances rendering it eligible that we should remain a few weeks in the neighbourhood of that city, he accepted the offer of Lord Byron, who lent him the use of a villa he rented near Este; and be sent for his family from Lucca to join him.

I Capuccini was a villa built on the site of a Capuchin convent, demolished when the French suppressed religious houses ; it was situated on the very over-hanging brow of a low hill at the foot of a range of higher ones. The house was cheerful and pleasant; a vine-trellised walk, a Pergola, as it is called in Italian, led from the hall door to a summer-house at the end of the garden, which Shelley made his study, and in which he began the Prometheus; and here also, as he mentions in a letter, he wrote Julian and Maddalo; a slight ravine, with a road in its depth, divided the garden from thehiil,on which stood the ruins of the ancient castle of Este, whose dark massive wall gave forth an echo, and from whose ruined crevices, owls

and bats flitted forth at night, as the crescent moon sunk behind the black and heavy battlements. We looked from the garden over the wide plain of Lorabardy, bounded to the west by the far Apennines, while to the east, the horizon was lost in misty distance. After the picturesque but limited view of mountain, ravine, and chesnut wood at the Baths of Lucca, there was something infinitely gratifying to the eye in the wide range of prospect commanded by our new abode.

Our first misfortune, of the kind from which we soon suffered even more severely, happened here. Our little girl, an infant in whose small features I fancied that I traced great resemblance to her father, showed symptoms of suffering from the heat of the climate. Teething increased her illness and danger. We were at Este, and when we became alarmed, hastened to Venice for the best advice. When we arrived at Fusina, we found that we had forgotten our passport, and the soldiers on duty attempted to prevent our crossing the laguna; but they could not resist Shelley's impetuosity at such a moment. We had scarcely arrived at Venice, before life fled from the little sufferer, and we returned to Este to weep her loss.

After a few weeks spent in this retreat, which were interspersed by visits to Venice, we proceeded southward. We often hear of persons disappointed by a first visit to Italy. This was not Shelley's case —the aspect of its nature, its sunny sky, its majestic storms; of the luxuriant vegetation of the country, and the noble marble-built cities, enchanted him. The sight of the works of art were full enjoyment and wonder; he had not studied pictures or statues before, he now did so with the eye of taste, that referred not to the rules of schools, but to those of nature and truth. The first entrance to Rome opened to him a scene of remains of antique grandeur that far surpassed his expectations ; and the unspeakable beauty of Naples and its environs added to the impression he received of the transcendant and glorious beauty of Italy. As I have said, he wrote long letters during the first year of our residence in this country, and these, when published, will be the best testimonials of his appreciation of tile harmonious and beautiful in art and nature, and his delicate taste in discerning and describing them *.

Our winter was spent at Naples. Here he wrote the fragments of Mazenghi and the Woodman and the Nightingale, which he afterwards threw aside. At this time Shelley suffered greatly in health. He put himself under the care of a medical man, who promisedgreatthings,and made him endure severe bodily pain, without any good results. Constant and poignant physical suffering exhausted him; and though he preserved tbeappearanceofcheerfulucss, and often greatly enjoyed our wanderings in the environs of Naples, and our excursions on its sunny sea, yet many hours were passed when his thoughts, shadowed by illness, became gloomy, and then he escaped to solitude, and in verses, which he hid from fear of wounding me, poured forth morbid but too natural bursts of discontent and sadness. One looks back with unspeakable regret and gnawing remorse to such periods ; fancying that had one been more alive to the nature of his feelings, and more attentive to soothe them, such would not have existed—and yet enjoying, as he appeared to do, every sight or influence of earth or sky, it was difficult to imagine that any melancholy he showed was aught but the effect of the constant pain to which he was a martyr.

We lived in utter solitude—and such is often not the nurse of cheerfulness ; for then, at least with those who have been exposed to adversity, the mind broods over its sorrows too intently; while the society of the enlightened, the witty, and the wise, enables us to forget ourselves by making

* These letters, together with various essays, translations and fragments, being the greater portion of the proso writings left by Shelley, are now in the press.— U.S.

us the sharers of the thoughts of others, which is a portion of the philosophy of happiness. SheUey never liked society in numbers, it harassed and wearied him; but neither did he like loneliness, and usually when alone sheltered himself against memory and reflection, in a book. But with one or two whom he loved, he gave way to wild and joyous spirits, or in more serious conversation expounded his opinions with vivacity and eloquence. If an argument arose, no man ever argued better —he was clear, logical, and earnest, in supporting his own views ; attentive, patient, and impartial, while listening to those on the adverse side. Had not a wall of prejudice been raised at this time between him and his countrymen, how many would have sought the acquaintance of one, whom to know was to love and to revere! how many of the more enlightened of his contemporaries have since regretted that they did not seek him ! how very few knew his worth while he lived, and of those few, several were withheld by timidity or envy from declaring their sense of it. But no man was ever more enthusiastically loved—more looked up to as one superior to his fellows in intellectual endowments and moral worth, by the few who knew him well, and had sufficient nobleness of soul to appreciate his superiority. His excellence is now acknowledged; but even while admitted, not duly appreciated. For who, except those who were acquainted with him, can imagine his unwearied benevolence, his generosity, his systematic forbearance! And still less is his vast superiority in intellectual attainments sufficiently understood— his sagacity, his clear understanding, his learning, his prodigious memory ; all these, as displayed in conversation, were known to few while he lived, and are now silent in the tomb:

Ahi orbo mondo ingrato,

Gran cagion hai di dever pionger meco.

Che quel ben ch' era in to, perdu!' hai seco.

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