Shakespeare Survey, Volumen41Stanley Wells Cambridge University Press, 2002 M11 28 - 312 páginas Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948 Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of the previous year's textual and critical studies and of major British performances. The books are illustrated with a variety of Shakespearean images and production photographs. The current editor of Survey is Peter Holland. The first eighteen volumes were edited by Allardyce Nicoll, numbers 19-33 by Kenneth Muir and numbers 34-52 by Stanley Wells. The virtues of accessible scholarship and a keen interest in performance, from Shakespeare's time to our own, have characterised the journal from the start. For the first time, numbers 1-50 are being reissued in paperback, available separately and as a set. |
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Contenido
The Shakespearian Stages Forty Years On | 1 |
The Original Staging of The First Part of the Contention 1594 | 13 |
Charles Calverts Henry V | 23 |
Hamlet An Apology for Actors and The Sign of the Globe | 35 |
The HallFinney Hamlet | 45 |
Malvolio and the Dark House | 55 |
Troilus and Cressida the Greek Camp Scene | 63 |
A heavy sight | 77 |
Metamorphosis in Othello and King Lear | 133 |
The Passing of King Lear | 145 |
Shakespeare Performances in London and StratforduponAvon 198687 | 159 |
Professional Shakespeare Productions in the British Isles JanuaryDecember 1986 | 183 |
The Years Contributions to Shakespeare Studies | 193 |
2 Shakespeares Life Times and Stage | 214 |
3 Editions and Textual Studies | 228 |
246 | |
The Tempests Tempest at Blackfriars | 91 |
Keats and Lucrece | 103 |
The Resources of Characterization in Othello | 119 |
Términos y frases comunes
action actors allusion amphitheatre Antony and Cleopatra Antony Sher Antony's audience bad quarto Blackfriars Caesar Calvert Cambridge centre character Clown comedy context Copeau Cordelia costume courtiers critics death Designer Director door dramatic duction Edgar edition editors Elizabethan emendation English essay example exit Globe Hall Hall's Hamlet Henry Heywood interpretation Jacobean John Kean Keats King Lear Lear's lines London Lucrece Macbeth Malvolio Merchant of Venice Metamorphoses modern offstage Othello Ovid Oxford performance play play's playhouse poem problems production Quarto rape reference Renaissance Review Richard Richard III role Royal Shakespeare Royal Shakespeare Theatre says scene seems sense September 1872 Shake Shakespeare Quarterly Shakespeare Survey Shakespearian speare speare's speech stage directions Stratford Studies suggest Tarquin Taylor Tempest textual Theatre theatrical tion Titus Titus Andronicus tour tradition tragedy Troilus and Cressida Twelfth Night Ulysses vertical in left Victorian words