Exploring the Language of Drama: From Text to ContextJonathan Culpeper, Mick Short, Peter Verdonk Routledge, 2002 M01 8 - 192 páginas Exploring the Language of Drama introduces students to the stylistic analysis of drama. Written in an engaging and accessible style, the contributors use techniques of language analysis, particularly from discourse analysis, cognitive linguistics and pragmatics, to explore the language of plays. The contributors demonstrate the validity of analysing the text of a play, as opposed to focusing on performance. Divided into four broad, yet interconnecting groups, the chapters:
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Página ix
... Stylistics in the English Department of the University of Amsterdam. He edited Twentieth-Century Poetry: From Text ... stylistics, and he is currently writing a book on stylistics. Jean Jacques Weber is Professor of English at University ...
... Stylistics in the English Department of the University of Amsterdam. He edited Twentieth-Century Poetry: From Text ... stylistics, and he is currently writing a book on stylistics. Jean Jacques Weber is Professor of English at University ...
Página 1
... stylistic analysis', an approach which is already well-established for the analysis of poetry and prose fiction (see ... stylistics 'tool kit' for the analysis of poetry, how far would it take us in providing an explanation? Typically ...
... stylistic analysis', an approach which is already well-established for the analysis of poetry and prose fiction (see ... stylistics 'tool kit' for the analysis of poetry, how far would it take us in providing an explanation? Typically ...
Página 3
... stylistics of poetry or the stylistics of drama, and we have said nothing about the stylistics of prose. However, it does illustrate the fact that to explain the dynamics of plays properly, we need much help from areas of linguistics ...
... stylistics of poetry or the stylistics of drama, and we have said nothing about the stylistics of prose. However, it does illustrate the fact that to explain the dynamics of plays properly, we need much help from areas of linguistics ...
Página 4
... stylistics since the 1960s has been spurred on by new developments in linguistics, and it is these developments which have enabled stylisticians to get to grips with other genres. For example, Michael Halliday's (1971) application of ...
... stylistics since the 1960s has been spurred on by new developments in linguistics, and it is these developments which have enabled stylisticians to get to grips with other genres. For example, Michael Halliday's (1971) application of ...
Página 6
... stylistics of drama is based upon the premise that one can gain a rich and sensitive understanding of a play by analysing the text. Firstly, Short presents a brief list of arguments for the adequacy of reading a play-text. In sum, he ...
... stylistics of drama is based upon the premise that one can gain a rich and sensitive understanding of a play by analysing the text. Firstly, Short presents a brief list of arguments for the adequacy of reading a play-text. In sum, he ...
Otras ediciones - Ver todas
Exploring the Language of Drama: From Text to Context Jonathan Culpeper,Mick Short,Peter Verdonk Vista previa limitada - 2002 |
Exploring the Language of Drama: From Text to Context Jonathan Culpeper,Mick Short,Peter Verdonk Vista previa limitada - 1998 |
Exploring the Language of Drama: From Text to Context Jonathan Culpeper,Mick Short,Peter Verdonk Sin vista previa disponible - 2002 |
Términos y frases comunes
absurd accusation addressee Alison Anderson Arthur Miller assumptions audience Austin Brown and Levinson Carol Cathy chapter characterization characters Charlie Charlie’s CHOUBERT Co-operative Principle cognitive Colonel Connie Booth container context conventions conversational behaviour critical Czechoslovakia David Mamet discourse analysis dramatic texts Duncan’s example extract Falstaff Fawlty Towers floor flouts Grice’s HALE hearer Heilman Helena Hollar illocutionary act implicates implicatures impoliteness incongruity inferences interaction interpretation interruptions Jacques Weber Jimmy Jimmy’s John John Cleese John’s Karen Kate Kate’s kiou language lecturer linguistic look Macbeth Mamet maxim McKendrick metaphor negative face Nudge nudge odd talk Oleanna participants particular path Paul Simpson performance perlocutionary Petruchio phatic play play’s Polly positive face pragmatic Professional Foul question Request Richards scene schemata Shakespeare’s situation social speak speaker speech acts stage directions Stoppard student stylistics suggests teaching schema Tituba topic turn turn-taking utterance verbal Victoria words