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" Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit/ and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her... "
The plays of william shakespeare. - Página 202
por William Shakespeare - 1765
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Hamlet

William Shakespeare - 2001 - 148 páginas
...his eyes, distraction in his aspect, 494 A broken voice, and his whole function suiting With forms to his conceit? And all for nothing, For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? What would he do Had he the motive and the cue for passion That I...
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Deadly Thought: Hamlet and the Human Soul

Jan H. Blits - 2001 - 405 páginas
...his body to look the part — "his whole function suiting / With forms to his conceit" (2.2.550-51). And all for nothing! For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? (2.2.551-54) What would the Player do, Hamlet continues, using a...
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The Culture of Playgoing in Shakespeare's England: A Collaborative Debate

Anthony B. Dawson, Paul Yachnin, ul Yachnin - 2001 - 215 páginas
...a performance, and an enormously affecting one at that, a point of which Hamlet is acutely aware - "For Hecuba! / What's Hecuba to him, or he to Hecuba, / That he should weep for her?" (2.2.558-60). The answer is that Hecuba is a figure for trauma, a memorial within...
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Greek and Roman Actors: Aspects of an Ancient Profession

Lecturer Department of Classics Edith Hall - 2002 - 510 páginas
...Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing? For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? Hamlet goes on to ask what this actor would do if he had the same cause for passion...
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Power Plays: Shakespeare's Lessons in Leadership and Management

John O. Whitney, Tina Packer - 2002 - 320 páginas
...in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms of his conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? HAMLET (2.2, 550-60) I N the turnarounds I have led, there have been...
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Amleto

William Shakespeare - 1995 - 320 páginas
...s'adattava con le forme alla sua idea? For Hecubal What's Hecuba to him, or he to her, That he should weep for her ? What would he do Had he the motive and the cue for passion That I have ? He would drown the stage with tears And cleave the general ear with...
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The Kendall/Hunt Anthology: Literature to Write About

K. H. Anthol - 2003 - 313 páginas
...Tears, in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, 585 That he should weep for her? What would he do, had he the motive and the cue for passion...
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The New Aestheticism

John J. Joughin, Simon Malpas - 2003 - 242 páginas
...to stage 'The Mousetrap', cf. II. ii. 584-601): What's Hecuba to him, or he to her, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? (II. ii. 553-6) In some ways Hamlet's 'own' mistaken sense here of...
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Introduction to Dramatherapy: Person and Threshold

Salvo Pitruzzella - 2004 - 196 páginas
...Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing. For Hecuba! What's Hecuba to him, or he to Hecuba That he should weep for her? (Shakespeare, Hamlet) Fictions In the last period of his life, the Russian director...
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The Literary Wittgenstein

John Gibson, Wolfgang Huemer - 2004 - 356 páginas
...Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing. For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? (3.1.552-62) Hamlet confronts here the negation of his earlier disavowal of mere...
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