 Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit/ and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her...  The plays of william shakespeare. - Página 202por William Shakespeare - 1765Vista completa - Acerca de este libro
 | William Shakespeare - 2001 - 148 páginas
...his eyes, distraction in his aspect, 494 A broken voice, and his whole function suiting With forms to his conceit? And all for nothing, For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? What would he do Had he the motive and the cue for passion That I... | |
 | Jan H. Blits - 2001 - 405 páginas
...his body to look the part — "his whole function suiting / With forms to his conceit" (2.2.550-51). And all for nothing! For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? (2.2.551-54) What would the Player do, Hamlet continues, using a... | |
 | Anthony B. Dawson, Paul Yachnin, ul Yachnin - 2001 - 215 páginas
...a performance, and an enormously affecting one at that, a point of which Hamlet is acutely aware - "For Hecuba! / What's Hecuba to him, or he to Hecuba, / That he should weep for her?" (2.2.558-60). The answer is that Hecuba is a figure for trauma, a memorial within... | |
 | Lecturer Department of Classics Edith Hall - 2002 - 510 páginas
...Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing? For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? Hamlet goes on to ask what this actor would do if he had the same cause for passion... | |
 | John O. Whitney, Tina Packer - 2002 - 320 páginas
...in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms of his conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? HAMLET (2.2, 550-60) I N the turnarounds I have led, there have been... | |
 | William Shakespeare - 1995 - 320 páginas
...s'adattava con le forme alla sua idea? For Hecubal What's Hecuba to him, or he to her, That he should weep for her ? What would he do Had he the motive and the cue for passion That I have ? He would drown the stage with tears And cleave the general ear with... | |
 | K. H. Anthol - 2003 - 313 páginas
...Tears, in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, 585 That he should weep for her? What would he do, had he the motive and the cue for passion... | |
 | John J. Joughin, Simon Malpas - 2003 - 242 páginas
...to stage 'The Mousetrap', cf. II. ii. 584-601): What's Hecuba to him, or he to her, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? (II. ii. 553-6) In some ways Hamlet's 'own' mistaken sense here of... | |
 | Salvo Pitruzzella - 2004 - 196 páginas
...Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing. For Hecuba! What's Hecuba to him, or he to Hecuba That he should weep for her? (Shakespeare, Hamlet) Fictions In the last period of his life, the Russian director... | |
 | John Gibson, Wolfgang Huemer - 2004 - 356 páginas
...Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing. For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? (3.1.552-62) Hamlet confronts here the negation of his earlier disavowal of mere... | |
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