 Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit/ and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her...  The plays of william shakespeare. - Página 202por William Shakespeare - 1765Vista completa - Acerca de este libro
 | Salvo Pitruzzella - 2004 - 196 páginas
...Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing. For Hecuba! What's Hecuba to him, or he to Hecuba That he should weep for her? (Shakespeare, Hamlet) Fictions In the last period of his life, the Russian director... | |
 | Kenneth S. Jackson - 2005 - 309 páginas
...Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing? For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? (551-59) The players' ability prompts Hamlet to conjure his "mousetrap" scheme... | |
 | Karen Newman - 2005 - 168 páginas
...his eyes, distraction in his aspect, A broken voice, and his whole function suiting 550 With forms to his conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? What would he do Had he the motive and the cue for passion 555 That... | |
 | Harriett Hawkins - 2005 - 296 páginas
...But this controlled syntax breaks down in a series of short, bitter phrases marking the first "turn": "And all for nothing,/ For Hecuba!/ What's Hecuba to him, or he to Hecuba,/ That he should weep for her?" Then, in another shift he finally comes to the reason for his self-reproach,... | |
 | John E. Gedo - 2005 - 189 páginas
...reactions — the degree of passion involved. As Hamlet says about an actor's tearful performance, ... all for nothing! For Hecuba! What's Hecuba to him or he to Hecuba, That he should weep for her? This is in contrast to Hamlet's own state, lacking in "gall." It is not simply... | |
 | Bridget Escolme - 2005 - 192 páginas
...to the death of a fictional queen, Hamlet asks, What's Hecuba to him, or he to Hecuba That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with... | |
 | William Shakespeare - 2005 - 896 páginas
...A broken voice, and his whole function suiting With forms to his conceit; and all for nothing! 540 For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would... | |
 | Kate Pogue - 2006 - 183 páginas
...Tears in his eyes, distraction in his aspect A broken voice, and his whole function suiting With forms to his conceit; and all for nothing. For Hecuba. What's Hecuba to him, or he to Hecuba That he should weep for her? After the retirement of Edward Alleyn in 1605, Richard Burbage was the greatest... | |
 | Peter Holland - 2006 - 357 páginas
...Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing. For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? (2.2.553-64)... | |
 | E. Beatrice Batson - 2006 - 178 páginas
...provoke a "dream of passion" for "nothing": "What's Hecuba to him, or he to [Hecuba] / That he should weep for her? What would he do / Had he the motive and the cue for passion / That I have?" (2.2.559-62). Hamlet's complaint recalls the Augustinian criticism... | |
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