| John Matthews Manly - 1916 - 806 páginas
...form containing thee, Whom, SPIRIT fair, thy spells did bind To fear himself, and love all human kind. smoke, Forget the snorting steam and piston stroke,...some few keels that bear Levantine staves, Cut from 7 The hand that mocked them and the heart that fed : And on the pedestal these words appear : " My... | |
| Marjorie B. Garber, Paul B. Franklin, Rebecca L. Walkowitz - 1996 - 292 páginas
...from the field as relayed to the poet-speaker of this sonnet by a "traveler from an antique land": "on the sand, / Half sunk, a shattered visage lies,...Which yet survive, stamped on these lifeless things /....Nothing beside remains." But where Shelley's tyrant mocked — and was mocked by — history ("'Look... | |
| Stephen Bygrave - 1996 - 364 páginas
...Romantic writing as a set of different voices. Are there noticeably different voices within this poem? Ozymandias I met a traveller from an antique land...stone Stand in the desert. Near them, on the sand Half-sunk, a shattered visage lies, whose frown And wrinkled lip, and sneer of cold command, 5 Tell... | |
| Karl Simms - 1997 - 336 páginas
...the poems, the indigenous population. The archetype of romantic irony is that presented by Shelley's "Ozymandias": I met a traveller from an antique land...those passions read Which yet survive, stamped on those lifeless things, The hand that mocked them, and the heart that fed: And on the pedestal these... | |
| Alexander Braghine, A. Braghine - 1997 - 324 páginas
...COMPANION OF MY LONG AND STRENUOUS VOYAGES AND MY FAITHFUL ASSISTANT AND INSPIRER, MY BELOVED WIFE. I met a traveller from an antique land Who said :...those passions read Which yet survive, stamped on those lifeless things, The hand that mocked them and the heart that fed. And on the pedestal these... | |
| Michael Macovski - 1997 - 285 páginas
...occupies lines 3-8 of this poem is the contrast it sets up between two widely separated time frames: whose frown And wrinkled lip, and sneer of cold command...Which yet survive, stamped on these lifeless things, . . . At the ends of lines 6 and 7, Shelley again employs parallel metrical templates, this time with... | |
| John McRae - 1998 - 172 páginas
...on a lack of pattern. In Text: Poem (vi), how many voices do you find? Activity Text: Poem (vi) (vi) I met a traveller from an antique land Who said: Two...sand, Half sunk, a shattered visage lies, whose frown, 5 And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which... | |
| Mary Oliver - 1998 - 212 páginas
...here Nature first begins Her fardest verge, || and Chaos to retire. . . . (Paradise Lost, Book II) I met a traveller from an antique land Who said: Two...Stand in the desert . . . || Near them, on the sand. . . . ("Ozymandias") A CAUTION In the employment of each of these embellishments and opportunities,... | |
| Frances Luttikhuizen - 2000 - 360 páginas
...Ozvniandias (1994: 302-3). by Percy Bysshe Shelley. It is a sonnet, and short enough to be quoted in full: I met a traveller from an antique land Who said: Two...frown And wrinkled lip. and sneer of cold command 5 Tcll that its sculptor well those passions read Which yet survive, stamped on these lifeless things.... | |
| Donald F. McLean - 2000 - 320 páginas
...National Museum of Photography, Film and Television, Bradford, 1996 f. •* '' 7 Television Develops / met a traveller from an antique land Who said: 'Two...lies, whose frown, And wrinkled lip, and sneer of command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless... | |
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