 | William Harmon - 1992 - 1176 páginas
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 | Edith P. Hazen - 1992 - 1172 páginas
...fingers rude Shatter your leaves before the mellowing year. Bitter constraint and sad occasion dear 26 Alas! What boots it with uncessant care To tend the homely slighted shepherd's trade, And strictly... | |
 | John Milton - 1926 - 360 páginas
...your leaves before the mellowing year. Bitter constraint, and sad occasion dear, Compels me to dislurb your season due: For Lycidas is dead, dead ere his prime Young Lycidas, and bath not left his peer: Who would not sing for Lycidas? he knew Himself to sing, and build we lofty... | |
 | John Milton - 1993 - 130 páginas
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 | Jonathan Wordsworth - 1993 - 264 páginas
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 | Various - 1993 - 980 páginas
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 | Elisa New - 1993 - 294 páginas
...elegiac form. That form invented and perfected the agonized cry of the witness for the singular martyr ("For Lycidas is dead, dead ere his prime, / Young Lycidas! And hath not left his peer"). Whitman's elegy renounces the sacral object in the very form that serves that sacral object, renounces... | |
 | Thomas N. Corns - 1993 - 340 páginas
...'Lycidas', appropriately enough since the subject of the elegy, Edward King, had written poetry:21 Who would not sing for Lycidas? he knew Himself to sing, and build the lofty rhyme. (lines 10-11) The image of Orpheus is appropriately present yet again: What could the Muse herself... | |
 | Albert C. Labriola - 1993 - 198 páginas
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Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer. 
