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" O my dove, that art in the clefts of the rock, In the secret places of the stairs, Let me see thy countenance, Let me hear thy voice; For sweet is thy voice, And thy countenance is comely. "
The Evangelical Guardian and Review - Página 298
1817
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The Christian Library: A Reprint of Popular Religious Works, Volumen5

1835 - 434 páginas
...views you with approbation. The prayer of the upright is his delight. " Let me see thy countenance. lei me hear thy voice; for sweet is thy voice, and thy countenance is comely." It includes recompense. " He shall reward thee openly." > He " never said to the seed of Jacob, seek...
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The Whole Works of the Rev. Ebenezer Erskine, Minister of the ..., Volumen1

Ebenezer Erskine, Donald Fraser - 1836 - 636 páginas
...desires thy company, and to hear thy voice, and to see thy countenance: Cant. ii. 14: "0, my dove, that art in the clefts of the rock, in the secret...sweet is thy voice, and thy countenance is comely." He loves thee with an eestatic love: his love runs out into a kind of rapture and ecstasy, Cant. iv....
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The Whole Works of the Rev. Ebenezer Erskine, Minister of the ..., Volumen3

Ebenezer Erskine, Donald Fraser - 1836 - 608 páginas
...doves in prayer! Cant. ii. 14: "0 my dove, that art in the clefts of the rock, in the secret placespf the stairs, let me see thy countenance, let me hear...voice ; for sweet is thy voice, and thy countenance is'Comely !" He invites his doves to come here frequently to this window, and he promises to entertain...
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Guide to Domestic Happiness

William Giles - 1836 - 172 páginas
...reflection, the heart can in undisturbed quiet, and without reserve, unbosom itself to him that said—Let me see thy countenance, let me hear thy voice; for...sweet is thy voice, and thy countenance is comely. In these moments of abstraction and devotion, the ruder passions are commanded into silence: the believer...
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The Harmony of Divine Truth

Seth Williston - 1836 - 664 páginas
...people, because of the holy beauty he sees in them. It is the Bridegroom of the church who says, " Let me hear thy voice ; for sweet is thy voice, and thy countenance is comely." 5. This complacency which we are considering, is manifestly a right frame of heart. It is an approbation...
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An Exposition of the Book of Solomon's Song

John Gill - 2002 - 350 páginas
...them ; he is exceedingly delighted with their looks and words : and therefore says, Cant. ii. 14, " let me see thy countenance, let me hear thy voice...for sweet is thy voice and thy countenance is comely :" nay, he has signified his desire that his church and people may be the place of his residence and...
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First Things First

Deborah F. Jenks - 2002 - 198 páginas
...come and join Him. What else does God say about the secret place? * Song of Solomon 2:14: "O my dove, in the clefts of the rock, In the secret places of the cliff, Let me see your face, Let me hear your voice; For your voice is sweet, And your face is lovely."...
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Moon Stages

Georgia Carole Douglas - 2003 - 126 páginas
...down under his shadow with great delight, and his fruit was sweet to my taste. ' ***** 'O my dove, that art in the clefts of the rock, in the secret...sweet is thy voice, and thy countenance is comely, ' Song of Solomon 2: 3 & 14 Come Sweet Lover Come sweet lover Captivate me with your ways Fresh line...
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Find Me Again: A Rebecca Temple Mystery

Sylvia Maultash Warsh - 2003 - 420 páginas
...place. Rebecca closed her eyes to listen to Sarah's rich dark voice, to savour the words. O my dove, that art in the clefts of the rock, in the secret...sweet is thy voice, and thy countenance is comely. Acknowledgements I am grateful to many people: my husband, Jerry Warsh, for his support, as well as...
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Poets in the Public Sphere: The Emancipatory Project of American Women's ...

Paula Bennett - 2003 - 286 páginas
...the woman uses imagery that "feminizes" the man: "O my dove, that art in the clefts of the rock ... let me hear thy voice; for sweet is thy voice, and thy countenance is comely. I ... I My beloved is mine, and I am his: he feedeth among the lilies" (2: 14 and 16). That is, where...
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