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" I pursued a maiden and clasped a reed. Gods and men, we are all deluded thus! It breaks in our bosom and then we bleed: All wept, as I think both ye now would, If envy or age had not frozen your blood, At the sorrow of my sweet pipings. "
The Eclectic Review - Página 289
1858
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Embodying Revolution: The Figure of the Poet in Shelley

Timothy Clark, Timothy A. R. Clark - 1989 - 300 páginas
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Embodying Revolution: The Figure of the Poet in Shelley

Timothy Clark, Timothy A. R. Clark - 1989 - 300 páginas
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Coleridge, Shelley, and Transcendental Inquiry: Rhetoric, Argument ...

John A. Hodgson, University John A Hodgson - 1989 - 155 páginas
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Elizabeth Barrett Browning: The Origins of a New Poetry

Dorothy Mermin - 1989 - 310 páginas
...Pan" Shelley presents the violator as (literally) the injured party: "I pursued a maiden and clasped a reed. / Gods and men, we are all deluded thus! — / It breaks in our bosom and then we bleed." The Romantic poets' Pan, god of inspiring nature as well as the representative of the poet himself...
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The Classic Myths in English Literature and in Art, Based Originally on ...

Charles Mills Gayley - 1991 - 597 páginas
...Love, and Death, and Birth, — And then I changed my pipings, — Singing how down the vale of Menalus I pursued a maiden, and clasp'da reed : Gods and men,...frozen your blood, At the sorrow of my sweet pipings. 87. Marsyas also was unfortunate enough to underrate Apollo's musical ability. It seems that the flute,...
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Posthumous Poems 1824

Percy Bysshe Shelley - 1991 - 415 páginas
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Ode to the West Wind and Other Poems

Percy Bysshe Shelley - 1993 - 123 páginas
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The Selected Poetry & Prose of Shelley

Percy Bysshe Shelley - 1994 - 692 páginas
...changed my pipings, Singing how down the vale of Maenalus 30 1 pursued a maiden and clasped a reed:212 Gods and men, we are all deluded thus! It breaks in...bosom and then we bleed: All wept, as I think both ye213 now would, If envy or age had not frozen your blood, At the sorrow of my sweet pipings. Song...
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Literary Power and the Criteria of Truth

Laura Quinney - 1995 - 183 páginas
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The Reception of Myth in English Romanticism

Anthony John Harding - 1995 - 289 páginas
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