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" Nor the dejected haviour of the visage, Together with all forms, modes, shows of grief, That can denote me truly: These, indeed, seem, For they are actions that a man might play : But I have that within, which passeth show; These, but the trappings and... "
The plays of William Shakspeare, with the corrections and illustr. of ... - Página 23
por William Shakespeare - 1809
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Speech and Performance in Shakespeare's Sonnets and Plays

David Schalkwyk - 2002 - 284 páginas
...inky cloak, good-mother, Nor customary suits of solemn black, Nor windy suspiration of foreed breath, No, nor the fruitful river in the eye, Nor the dejected haviour of the visage, Together with all forms, moods, shows of grief That can denote me truly. These indeed 'seem', For they are actions that a man...
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Gendered spaces: Wandel des "Weiblichen" im englischen Diskurs der frühen ...

Martina Mittag - 2002 - 280 páginas
...inky cloak, good mother, Nor customary suits of solemn black, Nor windy suspiration of forced breath, No, nor the fruitful river in the eye, Nor the dejected 'haviour of the visage, Together with all forms, moods, shapes of grief, That can denote me truly... (I.ii.77-83) Die hier zutage tretende Frage nach...
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Shakespeare Survey, Volumen30

Kenneth Muir - 2002 - 236 páginas
...inky cloak, good mother, Nor customary suits of solemn black, Nor windy suspiration of forc'd breath, No, nor the fruitful river in the eye, Nor the dejected haviour of the visage, Together with all forms, moods, shapes of grief, That can denote me truly. These indeed seem, For they are actions that a man...
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Amleto

William Shakespeare - 1995 - 340 páginas
...inky cloak, good mother, Nor customary suits of solenni black, Nor windy suspiration of forced breath, No, nor the fruitful river in the eye, Nor the dejected 'haviour of the visage, Together with all forms, moods, shapes of grief, That can denote me truly. These indeed 'seem'; For they are actions that a...
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Novel Shakespeares: Twentieth-century Women Novelists and Appropriation

Julie Sanders - 2001 - 274 páginas
...inky cloak, good-mother, Nor customary suits of solemn black, Nor windy suspiration of forced breath, No, nor the fruitful river in the eye, Nor the dejected haviour of the visage, Together with all moods, forms, shows of grief That can denote me truly. These indeed 'seem', For they are actions that...
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The Time is Out of Joint: Shakespeare as Philosopher of History

Agnes Heller - 2002 - 390 páginas
...Nay, it is. I know not 'seems'." After enumerating all the outward signs of grief, Hamlet continues: "These, indeed 'seem', / For they are actions that a man might play; / But I have that within which passeth show — /These but the trappings and the suits of woe" (Hamlet 1.2.83—86). Although pretending...
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A Synoptic Hamlet: a Critical-Synoptic Edition of the Second Quarto and ...

Jesús Tronch-Pérez, Jesús Tronch - 2002 - 416 páginas
...bearing, behaviour, manexpected adjectives to accompany the vocative 'mother'. ner» (2). i , denote For they are actions that a man might play; But I have that within which Passes show, passeth 85 263 Together with all forms, moods, chapes of orjef shows 264 That can Devote...
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The Kendall/Hunt Anthology: Literature to Write About

K. H. Anthol - 2003 - 344 páginas
...fruitful river in the eye, 80 Nor the dejected haviour of the visage, Together with all forms, moods, shows of grief. That can denote me truly. These indeed...that a man might play; But I have that within which passeth show, 85 These but the trappings and the suits of woe. King. Tis sweet and commendable in your...
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Renaissance Drama 32: New Series 32

Jeffrey Masten, Wendy Wall - 2003 - 264 páginas
...inky cloak, good mother, Nor customary suits of solemn black, Nor windy suspiration of forced breath, No, nor the fruitful river in the eye, Nor the dejected haviour of the visage, Together with all forms, moods, shapes of grief, That can denote me truly. These indeed seem, For they are actions that a man...
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The Literary Wittgenstein

John Gibson, Wolfgang Huemer - 2004 - 376 páginas
...fruitful river in the eye, Nor the dejected haviour of the visage, Together with all forms, moods, shows of grief That can denote me truly. These indeed...that a man might play; But I have that within which passeth show — These but the trappings and the suits of woe.24 (1.2.76-86) The distinction between...
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